PROJECTS ARCHIVE

immersive 360° installation with 16-channel spatial soundscape by Linda Dement and Laura Splan in collaboration with the Cardiovascular Regeneration Group at UTS

"Embodied Objects" computerized weavings with electromyography data-drive patterns in "Electric Op" at Buffalo AKG Art Museum

interactive installation commissioned for "Future Tense" at Beall Center for Art+Technology for Getty PST Art + Science Collide

limited edition box set with double vinyl LP and chromogenic print portfolio

special morning performance screening of "A Guided Sublimation" for the Biodesign Summit at ‍Museum of Modern Art (MoMA)

work in progress preview of extended reality collaborations presented by NEW INC and EY Metaverse Lab

"Beehive" (1993–1996) collaboration with Allyson Shaw included in exhibition documenting zines’ relationship to subcultures and avant-garde practices, from punk to conceptual, queer, and feminist art

immersive planetarium experience combining micro and macro worlds with animation and sound created in collaboration with theoretical biophysicist Adam Lamson

group exhibition that examines the intersections of science and art through contemporary art practice

laser etchings on paper with brainwave patterns included in exhibition examining paradigm shifts in printmaking

private preview of immersive installation presenting animation and sound work in progress from "Sticky Settings" collaboration

3D animations with molecular models and AI-generated images, accompanied by sonifications of scientific visualizations

animations, soundscapes, and prints created with computational simulation and AI images generated from scientific texts

weavings depicting computer-generated visualizations of computational simulations of biophysical interactions

lace virus series in exhibition exploring notions of eternity through art, science, medicine, and technology

molecular animations created with 3D models of SARS included in exhibition exploring expanded interpretations of lace

data-driven molecular animations using COVID data featured in new media art exhibition

data-driven molecular animation commissioned for International Symposium on Electronic Art (ISEA) at Santa Mònica Arts Centre

artworks created with biometric data in exhibition exploring how technology expands our ability to perceive the natural world

exhibition at Tang Museum with participatory haptic sound installation and rug made from laboratory animal fiber

installation with animations & networked sculpture exploring interconnected systems in the biotechnological landscape

generative 3D animations using COVID death data to disrupt amino acid residues on intertwined human and non-human proteins

site-specific intervention commissioned for Bruges Triennial with animations and sculptures exploring theme of “trauma”

triptych sculpture with 3-channel synchronous animation of 3D models (coronavirus, human cells, non-human antibodies) created using models of the coronavirus, human cells, and non-human antibodies

installation with sensory experiences exploring interspecies entanglement through networked devices and tactile sculpture

video with AI transcription of remote textiles collaboration included in virtual exhibition reexamining cyberfeminism

synchronous molecular animation triptych created with coronavirus, llama nanobody protein models

animations included in exhibition reimagining the digital archive in the face of a global pandemic & social justice movement

screening of molecular animations with sound screened during Pre-Show at Drive-In Movie theater

BioBAT, immersive installation exploring remote intimacy & hidden materialities during the pandemic

participatory textiles collaboration with recorded Zoom performances and hand-made weavings

animations created with screen recordings of software performances using molecular visualization software

remote sound collaborations with biotech workers and scientists rematerializing the coronavirus mRNA sequence

animations and prints created with molecular models of the coronavirus spike protein

fan networked to wind data at vivarium that houses animals who produce biological products for human drugs

networked laboratory mixers containing llama feces activated by Twitter activity relating to the contested status of science

participatory haptic sound and textiles sculpture with rug made from hand-spun laboratory animal fiber

artist book with photographs from a biotech lab documenting mundane artifacts and poetic encounters in biotech laboratory

photographs from a biotech lab documenting mundane artifacts and poetic interfaces in biotech lab

infinite video loop of cell suspension technique in biotech laboratory

multimedia installation exploring hidden systems and invisible labor in the expanded biotechnological landscape

screen-recorded molecular visualization software interaction with alpaca nanobody/ricin models

motorized wind chime sound sculpture with laboratory animal fiber and orphaned keys

neon sign exploring uncertainty and anticipation with quote from scientist waiting for laboratory experiment

entryway with hand-spun laboratory llama fiber and text excerpt using immigration metaphor to explain biology

tactile installation with fiber from laboratory alpacas and video performance of carding and spinning

artworks rematerializing the invisible included in exhibition exploring intersections of art and science

sculptures and prints included in exhibition featuring Laura Splan, Dustin Yellin, Liz Nielsen, Miya Ando, Lola Flash

installation with digitally fabricated weavings, prints, and sculptures exploring the rematerialization of bodily experience

solo exhibition exploring embodiment, emotion and affect through biometric data driven artworks

selected work from Thoma Foundation digital art collection with Laura Splan, Beryl Korot, Vera Molnar, Steina Vasulka

solo exhibition with biometric data driven artworks including weavings, etchings, sculptures and prints

4-color limited edition lithograph print created in collaboration with Normal Editions

giclée prints with computer generated & hand-manipulated patterns made with electromyography data

laser etchings on paper with data-driven patterns generated from biometric measurements of attention level

computerized Jacquard weavings with data-driven patterns created with EMG recordings of bodily movement

biometric performance sculpture with motorized music box actuated by electromyography (EMG) data from bicep

biometric performance collaboration with heart rate data-driven sound by Hari Stojan and visuals by Iulia Miruna Radu

biometric performance with motorized sculpture and sound actuated by heartbeat of knitter

3D-printed sculptures with data-driven forms created with EMG measurements of facial expressions

collages assembled from hand-cut pieces of pseudoscientific and aspirational adspeak in magazine ads

group exhibition exploring the mediated world's impact on and relationship to the physical body in our increasingly virtual realm

participatory sculpture with computer generated animation and text

drawing performance with solar-powered instruments using charcoal from previous night's campfire at ReCreate Residency

multimedia installation with sculptures and works on paper commissioned for exhibition about representations of HIV/AIDS

installation with photography and sculpture made in collaboration with Ariana Page Russell at Magnan Metz Gallery

collages assembled from hand-cut pieces of pseudo-spiritual imagery in magazine ads with titles taken from adspeak

magazine collages using pseudo-scientific and pseudo-spiritual ads and hand-built ceramics with titles taken from adspeak

braided stethoscope and other speculative medical device artworks in "Gone Viral: Medical Science and Contemporary Textile Art"

collages made from hand-cut pieces of pseudoscientific magazine ads

collages assembled from hand-cut pieces of pseudoscientific and pseudospiritual magazine ads with titles taken from adspeak

collages assembled from hand-cut pieces of pseudo-scientific and pseudospiritual magazine ads with titles taken from adspeak

videos that remix the scifi film “The Wasp Woman“ to explore notions of the mad scientist and unnatural transformation

graphite drawings with soap bubble residue commissioned for exhibition about disease prevention and public health

graphite drawing on watercolor paper

hand-cut collages made from pseudoscientific magazine ads with hand-built ceramics depicting ad imagery

collages assembled from hand-cut pieces of pseudoscientific and pseudospiritual magazine ads with titles from adspeak

artist photography book and print series created with images of mirrors for sale on eBay

site-specific sculptural interventions constructed from remnant cosmetic facial peel commissioned for group exhibition

graphite drawings and computer generated soundscape created from spam email subject headings

watercolor paintings with blood

drawings on watercolor paper rendered with blood

paintings with varying dilutions of blood stenciled through doilies onto watercolor paper

website with live generative text animation using adspeak language culled from real beauty products

hand embroidery of text on remnant cosmetic facial skin peel

computerized embroidery on sculpture made from remnant cosmetic facial peel

computerized embroidery on sculpture made from remnant cosmetic facial peel

computerized embroidery on remnant cosmetic facial peel with retina anatomy as decorative motif

computerized embroidery on remnant cosmetic facial peel with tear duct anatomy as decorative motif

remnant cosmetic facial peel sculpture cast from breasts

remnant cosmetic facial peel sculptures cast from artist's hands

installation of tactile lace viruses and facial peel sculptures commissioned for exhibition about disability and female identity

handmade wallpaper printed with blood and sculpture made from facial peel in exhibition exploring materials and craft

paintings with blood on watercolor paper

lace drawing created using artist's blood as ink commissioned for private art collection

drawing of lace rendered in blood

drawings of lace rendered in blood on watercolor paper

photographic light boxes with digitally composited X-rays created from found images

video exploring visceral abstraction through symmetry and blood

digitally fabricated lace sculptures depicting viruses (SARS, HIV, Influenza, Herpes, Hepadna)