FEATURED PROJECTS

immersive 360° installation with 16-channel spatial soundscape by Linda Dement and Laura Splan in collaboration with the Cardiovascular Regeneration Group at UTS

interactive installation commissioned for "Future Tense" at Beall Center for Art+Technology for Getty PST Art + Science Collide

"Embodied Objects" computerized weavings with electromyography data-drive patterns in "Electric Op" at Buffalo AKG Art Museum

special morning performance screening of "A Guided Sublimation" for the Biodesign Summit at ‍Museum of Modern Art (MoMA)

work in progress preview of extended reality collaborations presented by NEW INC and EY Metaverse Lab

immersive planetarium experience combining micro and macro worlds with animation and sound created in collaboration with theoretical biophysicist Adam Lamson

animations, soundscapes, and prints created with computational simulation and AI images generated from scientific texts

3D animations with molecular models and AI-generated images, accompanied by sonifications of scientific visualizations

weavings depicting computer-generated visualizations of computational simulations of biophysical interactions

triptych sculpture with 3-channel synchronous animation of 3D models (coronavirus, human cells, non-human antibodies) created using models of the coronavirus, human cells, and non-human antibodies

digitally fabricated lace sculptures depicting viruses (SARS, HIV, Influenza, Herpes, Hepadna)

data-driven molecular animation commissioned for International Symposium on Electronic Art (ISEA) at Santa Mònica Arts Centre

generative 3D animations using COVID death data to disrupt amino acid residues on intertwined human and non-human proteins

installation with animations & networked sculpture exploring interconnected systems in the biotechnological landscape

BioBAT, immersive installation exploring remote intimacy & hidden materialities during the pandemic

animations and prints created with molecular models of the coronavirus spike protein

remote sound collaborations with biotech workers and scientists rematerializing the coronavirus mRNA sequence

animations created with screen recordings of software performances using molecular visualization software

exhibition at Tang Museum with participatory haptic sound installation and rug made from laboratory animal fiber

multimedia installation exploring hidden systems and invisible labor in the expanded biotechnological landscape

installation with sensory experiences exploring interspecies entanglement through networked devices and tactile sculpture

fan networked to wind data at vivarium that houses animals who produce biological products for human drugs

networked laboratory mixers containing llama feces activated by Twitter activity relating to the contested status of science

photographs from a biotech lab documenting mundane artifacts and poetic interfaces in biotech lab

biometric performance with motorized sculpture and sound actuated by heartbeat of knitter

installation with digitally fabricated weavings, prints, and sculptures exploring the rematerialization of bodily experience

computerized Jacquard weavings with data-driven patterns created with EMG recordings of bodily movement

giclée prints with computer generated & hand-manipulated patterns made with electromyography data

3D-printed sculptures with data-driven forms created with EMG measurements of facial expressions

laser etchings on paper with data-driven patterns generated from biometric measurements of attention level

collages assembled from hand-cut pieces of pseudoscientific and aspirational adspeak in magazine ads

collages made from hand-cut pieces of pseudoscientific magazine ads

collages assembled from hand-cut pieces of pseudoscientific and pseudospiritual magazine ads with titles taken from adspeak

magazine collages using pseudo-scientific and pseudo-spiritual ads and hand-built ceramics with titles taken from adspeak

collages assembled from hand-cut pieces of pseudo-spiritual imagery in magazine ads with titles taken from adspeak

handmade wallpaper printed with blood and sculpture made from facial peel in exhibition exploring materials and craft

computerized embroidery on remnant cosmetic facial peel with tear duct anatomy as decorative motif

remnant cosmetic facial peel sculptures cast from artist's hands

installation of tactile lace viruses and facial peel sculptures commissioned for exhibition about disability and female identity

photographs of speculative medical apparatus hand-knit into intravenous scarf from clear vinyl tubing