Posthumanities

immersive 360° installation with 16-channel spatial soundscape by Linda Dement and Laura Splan in collaboration with the Cardiovascular Regeneration Group at UTS

special morning performance screening of "A Guided Sublimation" for the Biodesign Summit at ‍Museum of Modern Art (MoMA)

private preview of immersive installation presenting animation and sound work in progress from "Sticky Settings" collaboration

3D animations with molecular models and AI-generated images, accompanied by sonifications of scientific visualizations

lace virus series in exhibition exploring notions of eternity through art, science, medicine, and technology

data-driven molecular animations using COVID data featured in new media art exhibition

exhibition at Tang Museum with participatory haptic sound installation and rug made from laboratory animal fiber

installation with animations & networked sculpture exploring interconnected systems in the biotechnological landscape

molecular animations projected onto the Museum of Illusions for street festival

generative 3D animations using COVID death data to disrupt amino acid residues on intertwined human and non-human proteins

site-specific intervention commissioned for Bruges Triennial with animations and sculptures exploring theme of “trauma”

triptych sculpture with 3-channel synchronous animation of 3D models (coronavirus, human cells, non-human antibodies) created using models of the coronavirus, human cells, and non-human antibodies

installation with sensory experiences exploring interspecies entanglement through networked devices and tactile sculpture

video with AI transcription of remote textiles collaboration included in virtual exhibition reexamining cyberfeminism

synchronous molecular animation triptych created with coronavirus, llama nanobody protein models

animations included in exhibition reimagining the digital archive in the face of a global pandemic & social justice movement

BioBAT, immersive installation exploring remote intimacy & hidden materialities during the pandemic

participatory textiles collaboration with recorded Zoom performances and hand-made weavings

animations created with screen recordings of software performances using molecular visualization software

animations and prints created with molecular models of the coronavirus spike protein

fan networked to wind data at vivarium that houses animals who produce biological products for human drugs

networked laboratory mixers containing llama feces activated by Twitter activity relating to the contested status of science

participatory haptic sound and textiles sculpture with rug made from hand-spun laboratory animal fiber

artist book with photographs from a biotech lab documenting mundane artifacts and poetic encounters in biotech laboratory

photographs from a biotech lab documenting mundane artifacts and poetic interfaces in biotech lab

infinite video loop of cell suspension technique in biotech laboratory

screen-recorded molecular visualization software interaction with alpaca nanobody/ricin models

motorized wind chime sound sculpture with laboratory animal fiber and orphaned keys

neon sign exploring uncertainty and anticipation with quote from scientist waiting for laboratory experiment

entryway with hand-spun laboratory llama fiber and text excerpt using immigration metaphor to explain biology

tactile installation with fiber from laboratory alpacas and video performance of carding and spinning

artworks rematerializing the invisible included in exhibition exploring intersections of art and science

solo exhibition exploring embodiment, emotion and affect through biometric data driven artworks

biometric performance with motorized sculpture and sound actuated by heartbeat of knitter

essay on research-based studio practice at the intersections of art and science for "Art Practical: Art, Science & Wonder"

group exhibition exploring the mediated world's impact on and relationship to the physical body in our increasingly virtual realm

collages made from hand-cut pieces of pseudoscientific magazine ads

videos that remix the scifi film “The Wasp Woman“ to explore notions of the mad scientist and unnatural transformation

graphite drawings and computer generated soundscape created from spam email subject headings

computerized embroidery on sculpture made from remnant cosmetic facial peel

hand-crafted speculative sculptures with accompanying performance video