Lumen and Chaperone

participatory haptic sound and textiles sculpture with rug made from hand-spun laboratory animal fiber
Artwork

Lumen and Chaperone

2019

LUMEN (RUG SCULPTURE)
participatory rug sculpture made with hand-spun laboratory llama and alpaca wool, platform with vinyl text
platform dimensions: 4 H × 48 W × 48 D in (10.16 H × 122 W × 122 cm D)
rug diameter: 36 in (91.44 cm)

CHAPERONE (SOUNDSCAPE)
soundscape heard (headphones or speakers) and felt with tactile transducers beneath rug
TRT 5:55

“Lumen” choreographs viewers’ movements to sit on a latch hooked rug made with the hand-spun wool of laboratory llamas and alpacas. The wool for the sculpture was donated by biological laboratories that use camelids to produce antibodies for human drugs including vaccines and antiviral treatments. After washing and carding the fiber by hand, the wool was spun into yarn to be used in “Lumen” and other tactile sculptures. In biology, the lumen is the interior part of a cellular structure where a protein is folded and modified. Text accompanying the rug instructs the viewer to perform this folding action. Sitting on the rug engages viewers with unseen materialities and labor, of both humans and non-humans, as they touch the yarn and listen to an accompanying soundscape layering recordings made in a biotech lab. Robotic movements of machines, gurgling dish drains, and human interactions come together to create a sonic tour entitled “Chaperone”. Bass shakers beneath the rug platform vibrate with the bumps, clicks and bangs of laboratory machines in the soundscape. The work questions notions of the presence and absence of bodies evoking the mutability of categories that delineate their status.

“Lumen” choreographs viewers’ movements to sit on a latch hooked rug made with the hand-spun wool of laboratory llamas and alpacas. The wool for the sculpture was donated by biological laboratories that use camelids to produce antibodies for human drugs including vaccines and antiviral treatments. After washing and carding the fiber by hand, the wool was spun into yarn to be used in “Lumen” and other tactile sculptures. In biology, the lumen is the interior part of a cellular structure where a protein is folded and modified. Text accompanying the rug instructs the viewer to perform this folding action. Sitting on the rug engages viewers with unseen materialities and labor, of both humans and non-humans, as they touch the yarn and listen to an accompanying soundscape layering recordings made in a biotech lab. Robotic movements of machines, gurgling dish drains, and human interactions come together to create a sonic tour entitled “Chaperone”. Bass shakers beneath the rug platform vibrate with the bumps, clicks and bangs of laboratory machines in the soundscape. The work questions notions of the presence and absence of bodies evoking the mutability of categories that delineate their status.

...Through a diverse range of media and techniques, Laura Splan weaves a multifarious narrative of science. At times, Splan’s work brings to mind the Brothers Grimm, the miller’s daughter spinning straw into gold, a transmutation of material through manual labor and a bit of magic, unlocking secrets through a process of attribution...

Science Center's Flying Slippers
Cindy Stockton Moore

...Splan portrays the scientific process in all of its slowness and setbacks. The sounds and tactile experiences evoke a sanctity of space, creating an ambiance that’s almost reverent in its effect...

Broad Street Review
Michelle Nugent
The New Gallery at APSU
Tang Teaching Museum
Lampire
Integral Molecular
uCity Science Center

Project Support provided by The Science Center Bioart Residency, Integral Molecular, Esther Klein Gallery, The Knight Foundation, Lampire Biological Laboratories

Exhibitions include Esther Klein Gallery, The New Gallery, Tang Teaching Museum

Additional creative technology by Michael Dickins