Appropriation

immersive 360° installation with 16-channel spatial soundscape by Linda Dement and Laura Splan in collaboration with the Cardiovascular Regeneration Group at UTS

immersive planetarium experience combining micro and macro worlds with animation and sound created in collaboration with theoretical biophysicist Adam Lamson

3D animations with molecular models and AI-generated images, accompanied by sonifications of scientific visualizations

generative 3D animations using COVID death data to disrupt amino acid residues on intertwined human and non-human proteins

animations created with screen recordings of software performances using molecular visualization software

networked laboratory mixers containing llama feces activated by Twitter activity relating to the contested status of science

artist book with photographs from a biotech lab documenting mundane artifacts and poetic encounters in biotech laboratory

multimedia installation exploring hidden systems and invisible labor in the expanded biotechnological landscape

neon sign exploring uncertainty and anticipation with quote from scientist waiting for laboratory experiment

entryway with hand-spun laboratory llama fiber and text excerpt using immigration metaphor to explain biology

biometric performance sculpture with motorized music box actuated by electromyography (EMG) data from bicep

collages assembled from hand-cut pieces of pseudoscientific and aspirational adspeak in magazine ads

participatory sculpture with computer generated animation and text

collages assembled from hand-cut pieces of pseudo-spiritual imagery in magazine ads with titles taken from adspeak

magazine collages using pseudo-scientific and pseudo-spiritual ads and hand-built ceramics with titles taken from adspeak

collages made from hand-cut pieces of pseudoscientific magazine ads

collages assembled from hand-cut pieces of pseudoscientific and pseudospiritual magazine ads with titles taken from adspeak

collages assembled from hand-cut pieces of pseudo-scientific and pseudospiritual magazine ads with titles taken from adspeak

videos that remix the scifi film “The Wasp Woman“ to explore notions of the mad scientist and unnatural transformation

hand-cut collages made from pseudoscientific magazine ads with hand-built ceramics depicting ad imagery

collages assembled from hand-cut pieces of pseudoscientific and pseudospiritual magazine ads with titles from adspeak

artist photography book and print series created with images of mirrors for sale on eBay

graphite drawings and computer generated soundscape created from spam email subject headings

website with live generative text animation using adspeak language culled from real beauty products

photographic light boxes with digitally composited X-rays created from found images

hand latch hooked soft sculptures of oversized antipsychotic and antidepressant pills