Craft

"Embodied Objects" computerized weavings with electromyography data-drive patterns in "Electric Op" at Buffalo AKG Art Museum

group exhibition that examines the intersections of science and art through contemporary art practice

weavings depicting computer-generated visualizations of computational simulations of biophysical interactions

lace virus series in exhibition exploring notions of eternity through art, science, medicine, and technology

molecular animations created with 3D models of SARS included in exhibition exploring expanded interpretations of lace

artworks created with biometric data in exhibition exploring how technology expands our ability to perceive the natural world

exhibition at Tang Museum with participatory haptic sound installation and rug made from laboratory animal fiber

site-specific intervention commissioned for Bruges Triennial with animations and sculptures exploring theme of “trauma”

installation with sensory experiences exploring interspecies entanglement through networked devices and tactile sculpture

BioBAT, immersive installation exploring remote intimacy & hidden materialities during the pandemic

participatory textiles collaboration with recorded Zoom performances and hand-made weavings

participatory haptic sound and textiles sculpture with rug made from hand-spun laboratory animal fiber

computerized Jacquard weavings with biometric data patterns included in exhibition of artwork that transforms human movement

multimedia installation exploring hidden systems and invisible labor in the expanded biotechnological landscape

entryway with hand-spun laboratory llama fiber and text excerpt using immigration metaphor to explain biology

tactile installation with fiber from laboratory alpacas and video performance of carding and spinning

artworks rematerializing the invisible included in exhibition exploring intersections of art and science

installation with digitally fabricated weavings, prints, and sculptures exploring the rematerialization of bodily experience

solo exhibition exploring embodiment, emotion and affect through biometric data driven artworks

selected work from Thoma Foundation digital art collection with Laura Splan, Beryl Korot, Vera Molnar, Steina Vasulka

solo exhibition with biometric data driven artworks including weavings, etchings, sculptures and prints

computerized Jacquard weavings with data-driven patterns created with EMG recordings of bodily movement

biometric performance with motorized sculpture and sound actuated by heartbeat of knitter

multimedia installation with sculptures and works on paper commissioned for exhibition about representations of HIV/AIDS

installation with photography and sculpture made in collaboration with Ariana Page Russell at Magnan Metz Gallery

collages assembled from hand-cut pieces of pseudo-spiritual imagery in magazine ads with titles taken from adspeak

magazine collages using pseudo-scientific and pseudo-spiritual ads and hand-built ceramics with titles taken from adspeak

braided stethoscope and other speculative medical device artworks in "Gone Viral: Medical Science and Contemporary Textile Art"

collages made from hand-cut pieces of pseudoscientific magazine ads

collages assembled from hand-cut pieces of pseudoscientific and pseudospiritual magazine ads with titles taken from adspeak

collages assembled from hand-cut pieces of pseudo-scientific and pseudospiritual magazine ads with titles taken from adspeak

hand-cut collages made from pseudoscientific magazine ads with hand-built ceramics depicting ad imagery

site-specific sculptural interventions constructed from remnant cosmetic facial peel commissioned for group exhibition

paintings with varying dilutions of blood stenciled through doilies onto watercolor paper

hand embroidery of text on remnant cosmetic facial skin peel

computerized embroidery on sculpture made from remnant cosmetic facial peel

computerized embroidery on sculpture made from remnant cosmetic facial peel

computerized embroidery on remnant cosmetic facial peel with retina anatomy as decorative motif

computerized embroidery on remnant cosmetic facial peel with tear duct anatomy as decorative motif

remnant cosmetic facial peel sculpture cast from breasts

remnant cosmetic facial peel sculptures cast from artist's hands

installation of tactile lace viruses and facial peel sculptures commissioned for exhibition about disability and female identity

handmade wallpaper printed with blood and sculpture made from facial peel in exhibition exploring materials and craft

drawing of lace rendered in blood

drawings of lace rendered in blood on watercolor paper

digitally fabricated lace sculptures depicting viruses (SARS, HIV, Influenza, Herpes, Hepadna)

photographs of speculative medical apparatus hand-knit into intravenous scarf from clear vinyl tubing

hand-knit textiles sculpture with large-scale photographic portraits that reimagines the institutional hospital gown

latch hook soft sculptures depicting microbes

installation including photographs and a hand-knit vinyl tubing sculpture that is continuously pumped with blue liquid

hand latch hooked soft sculptures of oversized antipsychotic and antidepressant pills