Time

group exhibition that examines the intersections of science and art through contemporary art practice

animations, soundscapes, and prints created with computational simulation and AI images generated from scientific texts

weavings depicting computer-generated visualizations of computational simulations of biophysical interactions

data-driven molecular animations using COVID data featured in new media art exhibition

data-driven molecular animation commissioned for International Symposium on Electronic Art (ISEA) at Santa Mònica Arts Centre

artworks created with biometric data in exhibition exploring how technology expands our ability to perceive the natural world

installation with animations & networked sculpture exploring interconnected systems in the biotechnological landscape

generative 3D animations using COVID death data to disrupt amino acid residues on intertwined human and non-human proteins

site-specific intervention commissioned for Bruges Triennial with animations and sculptures exploring theme of “trauma”

participatory textiles collaboration with recorded Zoom performances and hand-made weavings

animations created with screen recordings of software performances using molecular visualization software

remote sound collaborations with biotech workers and scientists rematerializing the coronavirus mRNA sequence

networked laboratory mixers containing llama feces activated by Twitter activity relating to the contested status of science

infinite video loop of cell suspension technique in biotech laboratory

multimedia installation exploring hidden systems and invisible labor in the expanded biotechnological landscape

motorized wind chime sound sculpture with laboratory animal fiber and orphaned keys

neon sign exploring uncertainty and anticipation with quote from scientist waiting for laboratory experiment

artworks rematerializing the invisible included in exhibition exploring intersections of art and science

installation with digitally fabricated weavings, prints, and sculptures exploring the rematerialization of bodily experience

solo exhibition exploring embodiment, emotion and affect through biometric data driven artworks

giclée prints with computer generated & hand-manipulated patterns made with electromyography data

laser etchings on paper with data-driven patterns generated from biometric measurements of attention level

computerized Jacquard weavings with data-driven patterns created with EMG recordings of bodily movement

biometric performance sculpture with motorized music box actuated by electromyography (EMG) data from bicep

biometric performance collaboration with heart rate data-driven sound by Hari Stojan and visuals by Iulia Miruna Radu

biometric performance with motorized sculpture and sound actuated by heartbeat of knitter

3D-printed sculptures with data-driven forms created with EMG measurements of facial expressions

drawing performance with solar-powered instruments using charcoal from previous night's campfire at ReCreate Residency

graphite drawings and computer generated soundscape created from spam email subject headings

drawings on watercolor paper rendered with blood

website with live generative text animation using adspeak language culled from real beauty products

paintings with blood on watercolor paper

installation including photographs and a hand-knit vinyl tubing sculpture that is continuously pumped with blue liquid