Creative Technology

"Embodied Objects" computerized weavings with electromyography data-drive patterns in "Electric Op" at Buffalo AKG Art Museum

immersive 360° installation with 16-channel spatial soundscape by Linda Dement and Laura Splan in collaboration with the Cardiovascular Regeneration Group at UTS

work in progress preview of extended reality collaborations presented by NEW INC and EY Metaverse Lab

immersive planetarium experience combining micro and macro worlds with animation and sound created in collaboration with theoretical biophysicist Adam Lamson

group exhibition that examines the intersections of science and art through contemporary art practice

essay and artist talk written for "Possibles", the Proceedings of the International Symposium on Electronic Art (ISEA)

research collaboration and work in progress for NEW INC Artist Residency at EY exploring extended reality technologies (XR/VR/AR)

private preview of immersive installation presenting animation and sound work in progress from "Sticky Settings" collaboration

3D animations with molecular models and AI-generated images, accompanied by sonifications of scientific visualizations

animations, soundscapes, and prints created with computational simulation and AI images generated from scientific texts

weavings depicting computer-generated visualizations of computational simulations of biophysical interactions

data-driven molecular animations using COVID data featured in new media art exhibition

data-driven molecular animation commissioned for International Symposium on Electronic Art (ISEA) at Santa Mònica Arts Centre

artworks created with biometric data in exhibition exploring how technology expands our ability to perceive the natural world

installation with animations & networked sculpture exploring interconnected systems in the biotechnological landscape

molecular animations projected onto the Museum of Illusions for street festival

generative 3D animations using COVID death data to disrupt amino acid residues on intertwined human and non-human proteins

site-specific intervention commissioned for Bruges Triennial with animations and sculptures exploring theme of “trauma”

triptych sculpture with 3-channel synchronous animation of 3D models (coronavirus, human cells, non-human antibodies) created using models of the coronavirus, human cells, and non-human antibodies

installation with sensory experiences exploring interspecies entanglement through networked devices and tactile sculpture

video with AI transcription of remote textiles collaboration included in virtual exhibition reexamining cyberfeminism

synchronous molecular animation triptych created with coronavirus, llama nanobody protein models

animations included in exhibition reimagining the digital archive in the face of a global pandemic & social justice movement

screening of molecular animations with sound screened during Pre-Show at Drive-In Movie theater

animations created with screen recordings of software performances using molecular visualization software

animations and prints created with molecular models of the coronavirus spike protein

fan networked to wind data at vivarium that houses animals who produce biological products for human drugs

networked laboratory mixers containing llama feces activated by Twitter activity relating to the contested status of science

computerized Jacquard weavings with biometric data patterns included in exhibition of artwork that transforms human movement

multimedia installation exploring hidden systems and invisible labor in the expanded biotechnological landscape

screen-recorded molecular visualization software interaction with alpaca nanobody/ricin models

motorized wind chime sound sculpture with laboratory animal fiber and orphaned keys

artworks rematerializing the invisible included in exhibition exploring intersections of art and science

sculptures and prints included in exhibition featuring Laura Splan, Dustin Yellin, Liz Nielsen, Miya Ando, Lola Flash

installation with digitally fabricated weavings, prints, and sculptures exploring the rematerialization of bodily experience

solo exhibition exploring embodiment, emotion and affect through biometric data driven artworks

selected work from Thoma Foundation digital art collection with Laura Splan, Beryl Korot, Vera Molnar, Steina Vasulka

solo exhibition with biometric data driven artworks including weavings, etchings, sculptures and prints

4-color limited edition lithograph print created in collaboration with Normal Editions

giclée prints with computer generated & hand-manipulated patterns made with electromyography data

laser etchings on paper with data-driven patterns generated from biometric measurements of attention level

computerized Jacquard weavings with data-driven patterns created with EMG recordings of bodily movement

biometric performance sculpture with motorized music box actuated by electromyography (EMG) data from bicep

biometric performance collaboration with heart rate data-driven sound by Hari Stojan and visuals by Iulia Miruna Radu

biometric performance with motorized sculpture and sound actuated by heartbeat of knitter

3D-printed sculptures with data-driven forms created with EMG measurements of facial expressions

participatory sculpture with computer generated animation and text

drawing performance with solar-powered instruments using charcoal from previous night's campfire at ReCreate Residency

website with live generative text animation using adspeak language culled from real beauty products