Ornamentation, Motif, Symmetry

group exhibition that examines the intersections of science and art through contemporary art practice

laser etchings on paper with brainwave patterns included in exhibition examining paradigm shifts in printmaking

weavings depicting computer-generated visualizations of computational simulations of biophysical interactions

lace virus series in exhibition exploring notions of eternity through art, science, medicine, and technology

molecular animations created with 3D models of SARS included in exhibition exploring expanded interpretations of lace

artworks created with biometric data in exhibition exploring how technology expands our ability to perceive the natural world

molecular animations projected onto the Museum of Illusions for street festival

site-specific intervention commissioned for Bruges Triennial with animations and sculptures exploring theme of “trauma”

triptych sculpture with 3-channel synchronous animation of 3D models (coronavirus, human cells, non-human antibodies) created using models of the coronavirus, human cells, and non-human antibodies

synchronous molecular animation triptych created with coronavirus, llama nanobody protein models

BioBAT, immersive installation exploring remote intimacy & hidden materialities during the pandemic

animations and prints created with molecular models of the coronavirus spike protein

computerized Jacquard weavings with biometric data patterns included in exhibition of artwork that transforms human movement

artworks rematerializing the invisible included in exhibition exploring intersections of art and science

selected work from Thoma Foundation digital art collection with Laura Splan, Beryl Korot, Vera Molnar, Steina Vasulka

giclée prints with computer generated & hand-manipulated patterns made with electromyography data

laser etchings on paper with data-driven patterns generated from biometric measurements of attention level

computerized Jacquard weavings with data-driven patterns created with EMG recordings of bodily movement

multimedia installation with sculptures and works on paper commissioned for exhibition about representations of HIV/AIDS

installation with photography and sculpture made in collaboration with Ariana Page Russell at Magnan Metz Gallery

watercolor paintings with blood

drawings on watercolor paper rendered with blood

paintings with varying dilutions of blood stenciled through doilies onto watercolor paper

computerized embroidery on sculpture made from remnant cosmetic facial peel

computerized embroidery on remnant cosmetic facial peel with retina anatomy as decorative motif

computerized embroidery on remnant cosmetic facial peel with tear duct anatomy as decorative motif

handmade wallpaper printed with blood and sculpture made from facial peel in exhibition exploring materials and craft

drawing of lace rendered in blood

drawings of lace rendered in blood on watercolor paper

digitally fabricated lace sculptures depicting viruses (SARS, HIV, Influenza, Herpes, Hepadna)

wallpaper samples hand-painted with blood