Laura Splan is a New York City based artist working at the intersections of Science, Technology, and Culture. Her research-based studio practice and interdisciplinary collaborations culminate in multimedia artworks, exhibitions, and events. With an approach grounded in what she calls the “tactical tactile”, her work cultivates intuitive comprehension of the interconnectedness of cultural and biological systems. She reframes artifacts of the posthuman landscape to interrogate the “GUI/gooey” or liminal spaces that mediate our relationship to nature and to our bodies. Through embodied encounters that leverage sensations of touch, light, and sound, Splan’s work engages audiences with complexity through curiosity, wonder, and play. Recent projects have included immersive multisensory experiences, interactive installations, networked devices, participatory sculptures, and intimately scaled objects. Her companion lectures and workshops unpack the conceptual layers and timely themes in her work while providing insight into laboratory techniques, specialized software, and textiles methods used in her studio.
Laura Splan’s internationally recognized artworks and exhibitions have been presented at the Museum of Modern Art (NYC), Brooklyn Museum (NYC), Musea Brugge (Bruges), Museum of Arts & Design (NYC), Centre d’Art Santa Mònica (Barcelona), Pioneer Works (NYC), SÍM (Reykjavík), Galerie FOFA (Montréal), and The Nobel Prize Museum at Liljevalchs (Stockholm). Her work is represented in the collections of Thoma Art Foundation and Chan Zuckerberg Initiative. Commissions include projects for the CDC Foundation, Vanderbilt Planetarium, Beall Center for Art+Technology Black Box Projects, and Bruges Triennial. Her artist lectures and talks have been presented by The National Arts Club, Frontiers of Science Institute, University of Connecticut Humanities Institute, and Coalesce Center for Biological Arts. Publications featuring her artwork include “The Routledge Companion to Biology in Art & Architecture,” “Radical Fiber: Threads Connecting Art and Science”, and "Life Eternal" published by The Nobel Prize Museum. Reviews and articles including her work have appeared in The New York Times, Nature, Wired, BOMB, Discover, and Frieze and she has been featured on Science Friday and Voice of America. Her research has been supported by the Simons Foundation, Jerome Foundation, EY Metaverse Lab, and NEW INC at the New Museum. Her contributions to contemporary art have garnered numerous awards including the Herringer Prize for Excellence in Art, Wave Farm’s Media Arts Assistance Fund for Artists Grant, and AS220’s National Endowment for the Arts Digital Arts Fellowship.
Laura Splan is a New York City based artist working at the intersections of Science, Technology, and Culture. Her research-based studio practice and interdisciplinary collaborations culminate in multimedia artworks, exhibitions, and events. With an approach grounded in what she calls the “tactical tactile”, her work cultivates intuitive comprehension of the interconnectedness of cultural and biological systems. She reframes artifacts of the posthuman landscape to interrogate the “GUI/gooey” or liminal spaces that mediate our relationship to nature and to our bodies. Through embodied encounters that leverage sensations of touch, light, and sound, Splan’s work engages audiences with complexity through curiosity, wonder, and play. Recent projects have included immersive multisensory experiences, interactive installations, networked devices, participatory sculptures, and intimately scaled objects. Her companion lectures and workshops unpack the conceptual layers and timely themes in her work while providing insight into laboratory techniques, specialized software, and textiles methods used in her studio.
Laura Splan’s internationally recognized artworks and exhibitions have been presented at the Museum of Modern Art (NYC), Brooklyn Museum (NYC), Musea Brugge (Bruges), Museum of Arts & Design (NYC), Centre d’Art Santa Mònica (Barcelona), Pioneer Works (NYC), SÍM (Reykjavík), Galerie FOFA (Montréal), and The Nobel Prize Museum at Liljevalchs (Stockholm). Her work is represented in the collections of Thoma Art Foundation and Chan Zuckerberg Initiative. Commissions include projects for the CDC Foundation, Vanderbilt Planetarium, Beall Center for Art+Technology Black Box Projects, and Bruges Triennial. Her artist lectures and talks have been presented by The National Arts Club, Frontiers of Science Institute, University of Connecticut Humanities Institute, and Coalesce Center for Biological Arts. Publications featuring her artwork include “The Routledge Companion to Biology in Art & Architecture,” “Radical Fiber: Threads Connecting Art and Science”, and "Life Eternal" published by The Nobel Prize Museum. Reviews and articles including her work have appeared in The New York Times, Nature, Wired, BOMB, Discover, and Frieze and she has been featured on Science Friday and Voice of America. Her research has been supported by the Simons Foundation, Jerome Foundation, EY Metaverse Lab, and NEW INC at the New Museum. Her contributions to contemporary art have garnered numerous awards including the Herringer Prize for Excellence in Art, Wave Farm’s Media Arts Assistance Fund for Artists Grant, and AS220’s National Endowment for the Arts Digital Arts Fellowship.
As an interdisciplinary collaborator, Splan’s research-based studio practice includes working with scientists, technicians, and engineers in both industry and academia. She was a member of the New Museum’s NEW INC “Creative Science” incubator imagining creative applications for science and technology. As a Bioartist-in-Residence at the uCity Science Center, she collaborated with scientists at Integral Molecular to interrogate interspecies entanglements and invisible labor in biotechnology. In “Sticky Settings”, a collaboration supported by the Simons Foundation, Splan explored computational translations of molecular systems with theoretical biophysicist Adam Lamson at the Flatiron Institute. As an Artist-in-Residence at NEW INC+EY Metaverse Lab, Splan collaborated with creative technologists to develop extended reality (XR/VR) artworks that reveal “virtual residues” persisting in the physical world while exploring possibilities for new materially liminal experiences. As a Black Box Projects Artist-in-Residence at Beall Center for Art + Technology, Splan is collaborating with the Park Lab at UC Irvine to explore environmental influences on gene expression for a project exploring epigenetics and ecologies.
As a speaker, Splan’s artist talks and lectures have been presented by the Frontiers of Science Institute, University of Connecticut Humanities Institute, International Symposium on Electronic Art, Concordia University, and the Anderson Endowed Lecture Series at Pennsylvania State University. She was the keynote speaker for the Digital Fabrication Symposium at the University of North Texas presenting her lecture “Bits & Pieces: Material Epistemologies & Digital Fabrication”. Her artist talk, “Syndemic Sublime,” was co-presented by the New Museum and Science Sandbox for NEW INC’s “Radical Evolution.” Splan has been a featured guest on MicrobeTV, hosted by Dr. Vincent Racaniello of Columbia University, SciArt Initiative’s LunchBreak series hosted by Julia Buntaine, and the Sound and Vision podcast hosted by artist Brian Alfred. She has participated in panel discussions and roundtables at the Brooklyn Museum, SciFoo at Google’s Headquarters in Silicon Valley, the Museum of Contemporary Art of Barcelona, and Onassis ONX.
As an educator, Splan has held academic appointments at Stanford University, teaching interdepartmental Art courses to Engineering, Computer Science, Biology, Math, as well as Art majors. As an artist-in-residence, she has taught academic seminars at the University of Maine and Illinois State University. Her public workshops have been hosted by the Fredrickson Family Innovation Lab, Tang Teaching Museum, and Coalesce Center for Biological Arts. Splan was a Digital Arts Fellow supported by the National Endowment for the Arts at AS220 Industries, where she taught creative coding and physical computing workshops. She has volunteered as a computer literacy instructor for underserved communities at Imani House in Brooklyn and as a facilitator and educator for the ACRE Residency Technology Studio. She has been a studio practice advisor for both independent artists and students at San Francisco Art Institute, California College of Art, Arts Council England, and NEW INC at the New Museum. Splan also provides studio practice advising to independent artists through sliding scale Online Office Hours on Plexus Projects.
As a curator, Splan has produced new media art projects, including “Stimulus Transmit”, a moving image series that premiered on San Francisco public access television in 1997. During that time, she provided volunteer production support for COYOTE Street Wise, a public access television show on body politics hosted by sex worker activists Carol Queen and Margo St. James. She has been a visiting critic at numerous institutions, including The Crit Lab, University of Cincinnatti, and UNC Chapel Hill. She has served on selection committees and juries for the Biodesign Challenge and ACRE Residency. Her recent curatorial projects have included interdisciplinary programming and exhibitions for Creative Tech Week, as well as her experimental project space Plexus Projects where she curates “GUI/GOOEY”, an ongoing series of group exhibitions exploring digital representations of the natural world.
Laura Splan lives and works in Greenpoint, Brooklyn, the home of several superfund sites, in a building that has been a pharmaceutical factory and a knitting factory and is now an elaborate interactive installation for her cat.
My creative practice functions as experimental and investigative, narrative and performative, culturally situated and personal. I challenge delineations of Art, Design, and Craft to disrupt categories of knowledge production with interdisciplinary artworks and exhibitions. My projects and engagement examine cultural intersections of Science and Technology to reveal their shared inheritance and imagine their entangled future.
My creative practice functions as experimental and investigative, narrative and performative, culturally situated and personal. I challenge delineations of Art, Design, and Craft to disrupt categories of knowledge production with interdisciplinary artworks and exhibitions. My projects and engagement examine cultural intersections of Science and Technology to reveal their shared inheritance and imagine their entangled future.
RECURSIVE SPELLS
Drawing upon history, theory, and philosophy, I unravel the sociopolitical matrices that enshroud Science by reframing the Technology with which it is done. My interrogations of digital and computational translations of the biological world unveil cultural constructions of Nature that are baked into scientific tools, communication, and protocols. With a perspective informed by feminist technoscience, I examine recursive relationships among tactility and detail in craft, interface and sensory experience in technology, and representations of the micro and macro in science. The techniques and processes embedded in my work offer ways in which the “recursive spell” of dominant paradigms can be disrupted and reoriented to imagine new possibilities for the future of our shared humanity.
LIMINAL BODIES
Using both traditional and experimental media, I reconsider representations of “bodies” to interrogate cultural constructions of “self “and “other” by creating liminal perceptions of each. Uncanny combinations of materials and processes invite investigation of detail, calling into question how things are made and what they are made of while eliciting subjective interpretation and speculation. I repurpose tools and artifacts of science to engage with them creatively and critically while searching for new possibilities. Past projects have reimagined uses for molecular visualization software, the fiber of laboratory animals, genetic sequences of viruses, human blood, medical devices, and scientific instrumentation.
POETIC CONFRONTATIONS
I use defamiliarization to democratize signifiers of “expertise” to draw disenfranchised individuals into conversations that affect the future of our shared humanity. From zoonotic diseases to transgenic vaccine development, understanding what it means to be “human” in the “natural world” is becoming increasingly complex. I reframe expansive biomedical issues with provocations of curiosity, wonder, and play to inspire critical thought about the role of science in our daily lives. I attempt to choreograph poetic confrontations with bodies and ecologies inside the gallery to foster deeper engagement with science outside the gallery with artworks that are topical yet timeless, accessible yet layered, by revealing beauty amongst chaos and resilience amidst crisis.
INTERCONNECTED SYSTEMS
My research-based practice often involves collaborations with scientists and residencies in laboratories to explore the interconnectedness of cultural and biological systems. Science often initially serves as a practical foundation grounded in sets of rules, principles, protocols, and even aesthetics, only to emerge as a protagonist within the narrative implications of the work. Conventions of beauty (symmetry, pattern, abstraction) and cues of comfort (textiles, handmade forms) frequently serve as a foil for more unsettling references to the fragility and complexity of our biomedical realities within technoscientific mechanisms.
MFA Mills College
BA University of California Irvine
2024 Onassis ONX, Presented by NEW INC+EY Metaverse Lab, New York, NY, Metafrictions Preview
2023 Vanderbilt Museum Planetarium, Curator: Paul Rubery, Centerport, NY, A Guided Sublimation
2022 UTS Data Arena, Sydney, AU, Curator: Carmine Gentile, Aus Bioprinting Art Exhibition (w/Linda Dement)
2021 Tang Teaching Museum, Elevator Music Series, Saratoga Springs, NY, Curator: Rebecca McNamara, Rhapsody for an Expanded Biotechnological Apparatus
2020 BioBAT Art Space, Brooklyn Army Terminal, Brooklyn, NY, Curators: Jeannine Bardo/Elena Soterakis, Unraveling
2019 Esther Klein Gallery, Philadelphia, PA, Curator: Angela McQuillan, Conformations
2018 Occurrence Gallery, Montréal, QC, Curator: Lili Michaud, Embodied Objects
2017 NYU Langone Medical Center Art Gallery, New York, NY, Curator: Katherine Meehan, Manifest
2016 Grizzly Grizzly, Philadelphia, PA, Curators: Talia Greene/Amy Hicks, Raw Material (w/Gail Wight)
2015 Whitebox Art Center, New York, NY, Curator: Gale Elston, (Re)Create Artist Residency Award Exhibition (w/Ève K. Tremblay)
2014 Dose Projects Space, Brooklyn, NY, Meta Static
2011 Nicolaysen Art Museum, Casper, WY, Curator: Lisa Hatchadoorian, Reformulations
2009 Texas Woman’s University, West Gallery, Denton, TX, Curators: Susan kae Grant/Jana Perez/Vance Wingate, Body Politic
2008 Medicine Factory, Memphis, TN, Curator: Phillip Andrew Lewis, Negative Space
2007 International Museum of Surgical Science, Chicago, IL, Curator: Lindsey Thieman, Sympathetic Coordination
2006 New York Hall of Science, New York, NY, Curator: Cynthia Pannucci, Delicate Structures, Innate Forces
2005 Richmond Art Center, Richmond, CA, Curator: Amy Stimmel, Domesticated Viscera
2004 Catharine Clark Gallery, Project Rooms, San Francisco, CA, Curator: Catharine Clark, Disbursement and Accumulation
2003 Adobe Bookshop, Windows, San Francisco, CA, Curator: Eleanor Harwood, Underneath
1999 Cellspace Gallery, San Francisco, CA, Curator: Heather L. Johnson, Marked Territories (w/Julia Babiarz)
1998 Milky World Gallery, Seattle, WA, Curator: De Kwok, Order/Disorder
2024 Buffalo AKG Art Museum, Buffalo, NY, Curator: Dr. Tina Rivers Ryan, Electric Op
2024 Getty’s PST Art & Science Collide Initiative at Beall Center for Art + Technology, Irvine, CA, Curator: David Familian/Curatorial Assistant: Gabriel H Tolson, Future Tense: Art, Complexity, and Uncertainty
2024 Museum of Modern Art (MoMA), New York, NY, Biodesign Summit Performances
2023 Brooklyn Museum, Brooklyn, NY, Curators: Branden W. Joseph/Drew Sawyer, Copy Machine Manifestos: Artists Who Make Zines
2022 The Nobel Prize Museum at Liljevalchs, Stockholm, SE, Curators: Clara Åhlvik/Magnus af Petersens, Life Eternal
2021 Bruges Triennial: TraumA, Bruges, BE, Curators: T. Borchert/S. De Waele/M. Dewilde/E. Wuyts, Commission for Musea Brugge O.L.V. ter Potterie: Disentanglement
2020 Spring/Break Art Show, New York, NY, Curators: Robin Kang/Tali Hinkis, Metacognition
2019 David J. Sencer CDC Museum in association with The Smithsonian Institution, Atlanta, GA, Curator: Louise E. Shaw, The World Unseen: Intersections of Art & Science
2018 La Galerie FOFA, Montréal, QC, Curators: Kelly Thompson/WhiteFeather Hunter, Material Turn
2017 Thoma Art Foundation Art House, Santa Fe, NM, Code as Form
2016 Arena1 Gallery, Santa Monica, CA, Curated by Christine Duval, CODE and NOISE
2015 Beall Center for Art + Technology, Irvine, CA, Curators: Madeline Schwartzman/David Familian, Objects of Wonder
2014 Van Every/Smith Galleries, Davidson, NC, Curators: A. M. Fox/D. R. Wessner/L. Newman/R. Gardner, Commission of new work for Re/Presenting HIV/AIDS
2013 Museum Kunst der Westküste, Föhr, DE, Curator: Thorsten Sadowsky, Handicraft: Material and Symbolism
2012 Columbus Museum, Columbus, GA, Curator: Kristen Miller Zohn, Past is Present: Contemporary Approaches to Historical Decorative Arts & Design
2011 San Francisco Museum of Modern Art (SFMOMA), San Francisco, CA, Participatory Project by Stephanie Syjuco: Shadowshop
2010 Wignall Museum, Rancho Cucamonga, CA, Curator: Jennifer Frias, Even Better Than the Real Thing: The Art of the Uncanny
2009 Jönköping County Museum, Jönköping, SE, Curators: O. von Busch/C. Åhlvik, Craftwerk 2.0
2008 Museum of Contemporary Craft, Portland, OR, Curators: Mara Holt Skov/Steven Skov Holt, Manuf®actured: The Conspicuous Transformation of Everyday Objects
2007 Museum of Arts and Design, New York, NY, Curator: David Revere McFadden, Pricked
2006 Art & Culture Center Of Hollywood, Hollywood, FL, Curator: Carrie McLaren/Stay Free! Magazine, Illegal Art: Freedom of Expression in the Corporate Age
2005 Museum of Contemporary Art, Santa Rosa, CA, Curator: Chandra Cerrito, SubAnatomy
2004 Arthouse, Austin, TX, Juror: Jerry Saltz, New American Talent 19
2003 San Jose Institute of Contemporary Art, San Jose, CA, Curator: Cathy Kimball, Introductions South
2002 Headlands Center for the Arts, Sausalito, CA, Mystery Ball
2001 San Francisco Arts Commission Gallery, CA, Murphy & Cadogan Award Exhibition
2000 Arrowspace, Olympia, WA, Curator: Tina Herschelman, Ladyfest: Fabric, Objects and Art
1999 Lump Gallery, Raleigh, NC, Curator: De Kwok, The Soft Museum
2024 Best New Media Art Award, Chroma Art Film Festival, Presented by Rainbow Oasiiis x Superblue, Miami, FL
2023 Wave Farm Media Arts Assistance Fund for Artists Grant (MAAF), a regrant program by New York State Council on the Arts
2023 Beall Center for Art + Technology Black Box Projects Artist-in-Residence, University of California, Irvine, CA
2022 NEW INC+EY Metaverse Lab Artist-in-Residence, New Museum, New York, NY
2022 Unnamed Fund Genesis Community Grant, New York, NY
2020 Coalesce Center for Biological Arts Bioartist-in-Residence, University at Buffalo, NY
2019 National Endowment for the Arts Digital Arts Fellowship, AS220 Industries, Providence, RI
2018 Harvestworks Digital Art Center Artist Residency Scholarship, New York, NY
2017 Institute for Electronic Artist-in-Residence, Alfred, NY
2011 Jerome Foundation Fellowship for the Tofte Lake Center Emerging Artists Program, Ely, MN
2010 Pollock–Krasner Fellowship for the Byrdcliffe Artist in Residence Program, Woodstock, NY
2007 Jerome Foundation Travel and Study Grant for Visual Arts
2004 Kala Art Institute Artist Residency Fellowship Award, Berkeley, CA
2002 Herringer Prize for Excellence in Art
Thoma Art Foundation
Anne & Michael Spalter Digital Art Collection
Chan Zuckerberg Initiative
Berkeley Art Museum
2008 Phlebotomy Certification
2002 MFA Art (Sculpture), Mills College, Oakland, CA
1995 BA Studio Art, cum laude, University of California, Irvine, CA
2024 Onassis ONX, Presented by NEW INC+EY Metaverse Lab, New York, NY, Metafrictions Preview
2023 Vanderbilt Museum Planetarium, Curator: Paul Rubery, Centerport, NY, A Guided Sublimation
2022 UTS Data Arena, Sydney, AU, Curator: Carmine Gentile, Aus Bioprinting Art Exhibition (w/Linda Dement)
2022 <terminal> gallery, Clarksville, TN, Curator: Barry Jones, Syndemic Sublime
2021 Tang Teaching Museum, Elevator Music Series, Saratoga Springs, NY, Curator: Rebecca McNamara, Rhapsody for an Expanded Biotechnological Apparatus
2021 The New Gallery, Austin Peay State University, Clarksville, TN, Curator: Michael P. Dickins, Entangled Entities
2020 BioBAT Art Space, Brooklyn Army Terminal, Brooklyn, NY, Curators: Jeannine Bardo/Elena Soterakis, Unraveling
2020 uCity Science Center, Quorum, Philadelphia, PA, Curator: Angela McQuillan, Disrupted Domains
2019 Esther Klein Gallery, Philadelphia, PA, Curator: Angela McQuillan, Conformations
2018 Occurrence Gallery, Montréal, QC, Curator: Lili Michaud, Embodied Objects
2017 NYU Langone Medical Center Art Gallery, New York, NY, Curator: Katherine Meehan, Manifest
2017 Capsule Gallery, Houston, TX, Curator: Sarah Sudhoff, Material Expressions
2016 Grizzly Grizzly, Philadelphia, PA, Curators: Talia Greene/Amy Hicks, Raw Material (w/Gail Wight)
2015 Whitebox Art Center, New York, NY, Curator: Gale Elston, (Re)Create Artist Residency Award Exhibition (w/Ève K. Tremblay)
2014 Dose Projects Space, Brooklyn, NY, Meta Static
2011 Nicolaysen Art Museum, Casper, WY, Curator: Lisa Hatchadoorian, Reformulations
2009 Texas Woman’s University, West Gallery, Denton, TX, Curators: Susan kae Grant/Jana Perez/Vance Wingate, Body Politic
2008 Medicine Factory, Memphis, TN, Curator: Phillip Andrew Lewis, Negative Space
2007 International Museum of Surgical Science, Chicago, IL, Curator: Lindsey Thieman, Sympathetic Coordination
2006 New York Hall of Science, New York, NY, Curator: Cynthia Pannucci, Delicate Structures, Innate Forces
2005 Richmond Art Center, Richmond, CA, Curator: Amy Stimmel, Domesticated Viscera
2005 Nathan Larramendy Gallery, Ojai, CA, Curator: Nathan Larramendy, Integrated Bodies
2005 Femina Potens Gallery, San Francisco, CA, Curator: Heather Catalinich, Inside Out
2005 21 Grand, Oakland, CA, Curator: Darren Jenkins, Viscera Sera (w/Tara Daly)
2004 Catharine Clark Gallery, Project Rooms, San Francisco, CA, Curator: Catharine Clark, Disbursement and Accumulation
2004 Build Gallery, San Francisco, CA, Curator: Elliot Lessing, Reflexive
2003 Adobe Bookshop, Windows, San Francisco, CA, Curator: Eleanor Harwood, Underneath
1999 Cellspace Gallery, San Francisco, CA, Curator: Heather L. Johnson, Marked Territories (w/Julia Babiarz)
1998 Milky World Gallery, Seattle, WA, Curator: De Kwok, Order/Disorder
1995 University Art Gallery, University of California, Irvine, CA, Female Fearce
1995 Mesa Arts Gallery, University of California, Irvine, CA, Honey is My Gift (w/Allyson Shaw)
1994 Women’s Resource Center, University of California, Irvine, CA, D.R.A.G.: Dress Resembling A Girl
1994 Mesa Arts Gallery, University of California, Irvine, CA, Inherit Her Wings
2025 Palo Alto Art Center, Palo Alto, CA, Curator: Christine Duval, Cut From The Same Cloth: Textile & Technology
2024 Buffalo AKG Art Museum, Buffalo, NY, Curator: Dr. Tina Rivers Ryan, Electric Op
2024 Getty’s PST Art & Science Collide Initiative at Beall Center for Art + Technology, Irvine, CA, Curator: David Familian/Curatorial Assistant: Gabriel H Tolson, Future Tense: Art, Complexity, and Uncertainty
2024 Museum of Modern Art (MoMA), New York, NY, Biodesign Summit Performances
2024 Rainbow Oasiiis x Superblue, Miami, FL, Chroma Art Film Festival
2024 Science New Wave Lab, Brooklyn, NY, Blackbox Field Notes
2024 Big Apple Film Festival, New York, NY
2024 CLIMAX Festival, Madrid, ES, Curator: Raúl Asensio Díez
2024 Paris Awards Film Festival, Paris, FR
2024 New York Tri-State International Film Festival, Artistic Director: Armin Ebrahimi, NY
2023 Brooklyn Museum, Brooklyn, NY, Curators: Branden W. Joseph/Drew Sawyer, Copy Machine Manifestos: Artists Who Make Zines
2023 Les Enluminures, New York, NY, Curator: Tomas Borchert, Paint to Print: New Paradigms in Medieval Art
2023 Wignall Museum, Rancho Cucamonga, CA, Curator: Rebecca Trawick, Seeing the Unseen: Science + Art
2023 Telematic Media Arts, San Francisco, CA, Curators: Clark Buckner/Carla Gannis, Virtues and Vices
2023 Tokyo International Short Film Festival, Tokyo, JP
2022 Centre d’Art Santa Mònica, Barcelona, ES, Curators: Marta Gracia, Jara Rocha, Enric Puig Punyet, International Symposium on Electronic Art: La irrupción
2022 The Nobel Prize Museum at Liljevalchs, Stockholm, SE, Curators: Clara Åhlvik/Magnus af Petersens, Life Eternal
2022 Center For Contemporary Arts, Santa Fe, NM, Curators: Mariannah Amster and Frank Ragano, Currents New Media Art Festival: Circuits
2022 Cultuurcentrum De Ververij Ronse, Ronse, BE, Curators: Martine Bruggeman/Jan Leconte, The Hidden Side of Lace
2022 Artfare, Curator: Albert Abdul-Barr Wang, Built to Specifications
2021 Bruges Triennial: TraumA, Bruges, BE, Curators: T. Borchert/S. De Waele/M. Dewilde/E. Wuyts, Site Specific Commission for Musea Brugge O.L.V. ter Potterie: Disentanglement
2021 Pioneer Works, Brooklyn, NY, Second Sundays, Curator: Sandy Kassalias, Laura Splan: Syndemic Sublime
2021 Art in Odd Places, New York, NY, Curator: Furusho von Puttkammer, NORMAL
2021 Buley Library Gallery, SCSU, New Haven, CT, Curator: Patricia Miranda, Haptic/Somatic
2021 New Art City, Curators: LaFleur/Clemmons, Unbounded Unleashed Unforgiving: Reconsidering Cyberfeminism
2021 One Mile Gallery, Artsy / opensea.io / Kingston, NY, Curator: Maria Kozak, Electric Feelings
2021 20 Jay Pop Up, Brooklyn, NY, Curator: Victoria Manganiello, You Stir the Pot
2020 Spring/Break Art Show, New York, NY, Curators: Robin Kang/Tali Hinkis, Metacognition
2020 Norwegian Bioart Arena (NOBA), Vitenparken Ås, Mozilla Hubs VR, Viral Life
2020 Global Community Bio Summit, MIT Media Lab, Community Biotechnology Initiative
2020 Telematic Media Arts, San Francisco, CA, Curators: Clark Buckner/Carla Gannis, The Archive to Come
2020 Denise Bibro Fine Art, New York, NY, Art From the Boros
2020 Dubai World Trade Centre, Dubai, AE, Curated/Presented by Sedition, World Art Dubai
2020 Gyeongmin Museum of Contemporary Art, Uijeongbu, KP, ArtVirus 20, Traveled 2020:
2019 David J. Sencer CDC Museum in association with The Smithsonian Institution, Atlanta, GA, Curator: Louise E. Shaw, The World Unseen: Intersections of Art & Science
2019 Amon Carter Museum of American Art, Fort Worth, TX, Curator: Kristen Gaylord, Set in Motion
2019 Currents 826, Santa Fe, NM, Curator: Christine Duval, Stitching & Weaving in the Digital Age
2019 Masur Museum of Art, Monroe, LA, Synthesis: Art and Nature in the Post-Digital Age
2019 Artfare, New York, NY, Curators: Daniela Holban & Kelly Schroer, Artfare Inaugural Exhibition
2019 AS22O, Providence, RI, NEA Digital Arts Fellowship Exhibition: Laura Splan, Jessica Thompson, Lauren Valley
2018 La Galerie FOFA, Montréal, QC, Curators: Kelly Thompson/WhiteFeather Hunter, Material Turn
2018 Residence de France, San Francisco, CA, Curator: Christine Duval, Stitching & Weaving in the Digital Age
2018 uCity Square, Philadelphia, PA, Curator: Angela McQuillan, uCity Square Opening Celebration
2018 Paul Robeson Galleries, Rutgers University, Newark, NJ, Curator: Anonda Bell, Mirror, Mirror
2018 Crossman Gallery, University of Wisconsin, Whitewater, WI, Curators: Susan Messer/Melanie Herzog/Michael Flanagan, Reading Material
2018 Chandra Cerrito Contemporary, Oakland, CA, Curator: Virginia Tominia, Natural Systems
2018 Stadtgalerie Lehen, Salzburg, AT, Curators: Karla Spiluttini/Korinna Lindinger, Possible Bodies
2018 Harvestworks TEAM Lab, New York, NY, Curator: Carol Parkinson, Artworks & Experiences
2018 Peer to Space, Curators: Peggy Schoenegge/Darja Zub, Claiming Needles: Positions Of Contemporary Embroidery Art
2017 Mz. Baltazar’s Laboratory, Vienna, AT, Curators: Korinna Lindinger/Karla Spiluttini, Kubépolis
2017 Thoma Art Foundation Art House, Santa Fe, NM, Code as Form
2017 CAA Media Lounge, New York, NY, Curators: M. Zapf/N. Gupta Wiggers, Genre Bending: Craft Action
2016 Currents New Media Festival, El Museo Cultural De Santa Fe, NM, Curator: Christine Duval, CODE and NOISE
2016 Arena1 Gallery, Santa Monica, CA, Curator: Christine Duval, CODE and NOISE
2016 Satellite Art Fair, Miami, FL, Curators: Doppelgänger Projects (S. M. Salamone/J. Simmz), Invocations
2016 ArtsWestchester Gallery, White Plains, NY, Curator: Kathleen Reckling, Remedy
2016 Rayburn House Building, Washington, DC, Maker Caucus: Making in the Arts
2016 Prairie Production, Chicago, IL, Hearth: ACRE’s Annual Benefit Auction
2016 ACRE Projects, Chicago, IL, Curator: Anastasia Karpova Tinari, Material Bodies
2015 Beall Center for Art + Technology, Irvine, CA, Curators: Madeline Schwartzman/David Familian, Objects of Wonder
2015 Pelham Art Center, Pelham, NY, Curator: Patricia Miranda, TechNoBody
2015 SÍM, Reykjavík, Iceland, SIM Residency Exhibition, Scenery Is Dim
2015 Islip Art Museum, Islip, NY, Curators: Lorrie Fredette/Beth Giacummo, Compendium: The Interchange of Art & Science
2015 Annex Gallery, Cooperstown, NY, Curator: Molly Welch, Histrionics
2014 Van Every/Smith Galleries, Davidson College, Davidson, NC, Curators: Ann M. Fox/David R. Wessner/Lia Newman/Rosemary Gardner, Commission of new work for Re/Presenting HIV/AIDS
2014 SciArt Center, New York, NY, Curator: Julia Buntaine, What Lies Beneath
2014 Institute for Women and Art, Rutgers University, New Brunswick, NJ, Curator: Judith Brodsky, Women Artists and the Body
2014 Magnan Metz Gallery, New York, NY, Collaboration with Ariana Page Russell: Emergence
2013 Neuberger Museum of Art, Purchase, NY, Curator: Jacqueline Shilkoff, Dear Diary: Update All
2013 Museum Kunst der Westküste, Föhr, DE, Curator: Thorsten Sadowsky, Handicraft: Material and Symbolism
2013 Marion Art Gallery, Fredonia, NY, Curator: Leesa Rittelmann, Gone Viral: Medical Science and Contemporary Textile Art
2012 Columbus Museum, Columbus, GA, Curator: Kristen Miller Zohn, Past is Present: Contemporary Approaches to Historical Decorative Arts & Design
2012 MoMA PS1, New York, NY, Participatory event organized by Mariah Robertson, Artists’ Halloween Carnival
2012 Museum of Fine Arts, Tallahassee, FL, Thread of Life
2011 Memorial Art Gallery, Rochester, NY, Curators: M. Via/M. Hamann-Whitmore, Extreme Materials 2
2011 David J. Sencer CDC Museum in Association with the Smithsonian Institution, Atlanta, GA, Curator: Louise E. Shaw, Commission of new work for Watching Hands
2011 San Francisco Museum of Modern Art (SFMOMA), San Francisco, CA, Participatory Project by Stephanie Syjuco: Shadowshop
2010 Wignall Museum, Rancho Cucamonga, CA, Curator: Jennifer Frias, Even Better Than the Real Thing: The Art of the Uncanny
2010 PM Gallery, London, UK, Curator: Zoë Archer, Beware of Embroidery
2010 Preston Manor, Brighton & Hove, UK, Commission of new work for Unravelled
2010 Des Lee Gallery, St. Louis, MO, Curators: Audrey Mast/Brandon Anschultz, Fuzzy Logic
2010 Kleinert/James Arts Center, Woodstock, NY, Curator: Katharine Umsted, Pollock–Krasner Fellowship Award Exhibition
2010 Trahern Gallery, Clarksville, TN, Curator: Billy Renkl, Manifold: The Body Divided
2009 Jönköping County Museum, Jönköping, SE, Curators: O. von Busch/C. Åhlvik, Craftwerk 2.0
2009 Van Every/Smith Galleries, Davidson College, Davidson, NC, Curators: Jessica Cooley/Ann M. Fox, Commission of new work for Re/Formations
2009 Cheongju International Craft Biennale, Cheongju, KR, Curators: Ihnbum Lee, Dissolving Views
2009 Jungle, Brooklyn, NY, Curator: Jason Patrick Voegele, Digital Rituals
2009 Mandeville Gallery, Schenectady, NY, Curator: Rachel Seligman, Dynamic Equilibrium
2009 S1F Gallery, Los Angeles, CA, Curator: Young Hoon Chung, The Longest Day of Summer. One Lucky Day.
2009 Wignall Museum of Art, Chaffey College, Rancho Cucamonga, CA, Curator: Dr. Maria Elena Buszek, Raised in Craftivity
2009 Catherine Slip Gallery, New York, NY, Sick Love, Curator: Gillian Sneed
2009 Glendale College Art Gallery, Glendale, CA, Curator: Young Hoon Chung, mama-san
2009 St. Andrew’s-Sewanee Gallery, Sewanee, TN, Shakerag Faculty Exhibition
2009 Silvershed, New York, NY, Benefit for ABCyz, Curators: Patrick Meagher/Dawn Blackman, RALLY
2008 Mead Art Museum, Amherst, MA, Curator: Dr. Rickie Solinger, Reimagining the Distaff Toolkit, Traveled 2008–2012:
2008 Museum of Contemporary Craft, Portland, OR, Curators: Mara Holt Skov/Steven Skov Holt, Manuf®actured: The Conspicuous Transformation of Everyday Objects
2008 Gallery Aferro, Newark, NJ, Curator: Emma Wilcox, Biological Imperative
2008 Spaces, Cleveland, OH, Curator: Kate Budd, Phenomena(l)
2008 Paul Robeson Galleries, Rutgers University, Newark, NJ, Curator: Anonda Bell, Specimen: Representing The Natural World
2008 SomArts, San Francisco, CA, Coalition on Homelessness’s Reframing Homelessness: Art for Walls, Roofs for People Fundraiser
2008 21 Grand, Oakland, CA, Annual Benefit Art Sale
2007 Museum of Arts and Design, New York, NY, Curator: David Revere McFadden, Pricked
2007 Greenlease Gallery, Kansas City, MO, Curator: Dr. Maria Elena Buszek, Raised in Craftivity
2007 Limn Art Gallery, San Francisco, CA, Curator: Christine Duval, Beneath the Skin
2007 Track 16 Gallery, Santa Monica, CA, Curators: Georganne Deen/Christine Wertheim, The Powder Room
2007 Subtle Technologies Festival: in situ: art, body, medicine, Univ. of Toronto, CA, Subjects of Hybridization
2007 Caren Golden Fine Art, New York, NY, Brief Encounters
2007 Translations Gallery, Denver, CO, Under the Skin, Curator: Lindsay Obermeyer
2007 di Rosa Preserve, Napa, CA, Moon Proof Madness, Annual Benefit Art Auction
2007 Sonoma State University Art Gallery, Rohnert Park, CA, Annual Fundraiser Auction
2006 Baker Center for the Arts, Allentown, PA, Curator: Robert L. Tillman, Four Freedoms
2006 21 Grand, Oakland, CA, Annual Benefit Art Sale
2006 The Lab, San Francisco, CA, Annual Benefit Art Auction
2005 Museum of Contemporary Art, Santa Rosa, CA, Curator: Chandra Cerrito, SubAnatomy
2005 Galerie SAW Gallery, Ottawa, Ontario, CA, Curator: Stefan St-Laurent/Tam-Ca Vo-Van, The Winter Life
2005 Synthetic Zero Loft, New York, NY, Curator: Mitsu Hadeishi, Synthetic Zero
2005 Kala Art Institute, Berkeley, CA, Kala Fellowship Award Exhibition
2005 Sonoma State University Art Gallery, Rohnert Park, CA, Curator: Nathan Hainlein, Intelligent Distribution: Artists Respond to Technology
2005 San Francisco Museum of Modern Art (SFMOMA) Artist’s Gallery, San Francisco, CA, Trillium Show
2005 Southern Exposure, San Francisco, CA, Monster Drawing Rally
2005 21 Grand, Oakland, CA, Annual Benefit Art Sale
2005 New Langton Arts, San Francisco, CA, Annual Gold-digger’s Excavation Art Auction and Throw-down
2005 Southern Exposure, San Francisco, CA, Annual Benefit Auction
2004 Arthouse, Austin, TX, Juror: Jerry Saltz, New American Talent 19, Traveled in 2004–2005:
2004 Gen Art New Media Art Exhibition, Herbst International Exhibition Hall, San Francisco, CA, NewFangle
2004 Catharine Clark Gallery, San Francisco, CA, Finesse
2004 San Francisco Arts Commission Gallery, CA, Curator: Kara Maria, Meat Show
2004 Kala Art Institute, Berkeley, CA, Curator: Lauren Davies, High Fiber
2004 New Langton Arts, San Francisco, CA, Underpants Party
2004 Intersection for the Arts, San Francisco, CA, State of the Nation
2004 Los Angeles Center For Digital Art, Los Angeles, CA, Snap to Grid
2004 Bekins, Santa Barbara, CA, Curator: Carey Berkus, Blur
2004 Nathan Larramendy Gallery, Ojai, CA, Hidden Treasures
2004 Southern Exposure, San Francisco, CA, Supernatural
2004 Build, San Francisco, CA, Rustic
2004 Femina Potens Gallery, San Francisco, CA, In Our Box
2004 Build, San Francisco, CA, Kriss-Miss’d
2004 Southern Exposure, San Francisco, CA, Monster Drawing Rally
2004 Adobe Bookshop, San Francisco, CA, Adobe Benefit Auction
2004 SomArts Gallery, San Francisco, CA, Art Auction: Coalition on Homelessness
2004 Oakland Art Gallery, Oakland, CA, Annual Auction
2004 San Jose Institute of Contemporary Art, San Jose, CA, Annual Fall Auction
2004 21 Grand, Oakland, CA, Annual Benefit Art Sale
2004 The LAB, San Francisco, CA, Annual Art Sale and Live Auction
2003 San Jose Institute of Contemporary Art, San Jose, CA, Curator: Cathy Kimball, Introductions South
2003 San Francisco Museum of Modern Art Artist’s Gallery, Curator: Carrie McLaren/Stay Free! Magazine, Illegal Art: Freedom of Expression in the Corporate Age, Traveled 2003–2006
2003 Galerie Lelong, New York, NY, Postcards From the Edge
2003 Catharine Clark Gallery, San Francisco, CA, Curator: Reuben Lorch-Miller, Daily Special
2003 Westinghouse Building Little Tokyo Lofts, Los Angeles, CA, [sub]urban, [sub]version
2003 Delta Axis Gallery, Memphis, TN, Curator: Phillip Andrew Lewis, Life After/Afterlife
2003 Nathan Larramendy Gallery, Ojai, CA, Organic
2003 Nightworks, New Orleans, LA, Canal Street Projection Project
2003 Build, San Francisco, CA, Curator: Elliot Lessing, Magnify Sense
2003 Nathan Larramendy Gallery, Ojai, CA, Road Trip
2003 Pure Joy, New York, NY, Curator: Elliot Lessing, EUREKA!: New Works From the Golden State
2003 Lexington Club, San Francisco, CA, Curator: Laurel Frank, Waiting to Happen
2003 Build Gallery, San Francisco, CA, Curator: Elliot Lessing, Constellations
2003 Melting Point Gallery, San Francisco, CA, Curator: Tony Vadakan, Synthesis
2003 Adobe Bookshop, San Francisco, CA, Peace Show
2003 Southern Exposure, San Francisco, CA, Monster Drawing Rally
2003 Southern Exposure, San Francisco, CA, Solid Gold
2003 San Jose Institute of Contemporary Art, San Jose, CA, Annual Fall Auction
2003 SF Camerawork, San Francisco, CA, Benefit Auction
2003 Adobe Bookshop, San Francisco, CA, Adobe Benefit Auction
2003 New Langton Arts, San Francisco, CA, Night Moves
2003 Lucky Tackle, Oakland, CA, Making Ends Meet
2002 Ladyfest, Spring Tower, Los Angeles, CA, Curator: Molly Landreth, Ladyfest Los Angeles
2002 Spanganga Gallery, San Francisco, CA, Curator: Abner Nolan, Cozy
2002 Headlands Center for the Arts, Sausalito, CA, Mystery Ball
2002 Quotidian Gallery, San Francisco, CA, Curator: Michael Smit, I/O: Skin
2002 Melting Point Gallery, San Francisco, CA, Curator: Elliot Lessing, Virus
2002 The Lab, San Francisco, CA, Participatory project by Eleanor Harwood, Living LABoratory Exquisite Corpse
2002 Quotidian Gallery, San Francisco, CA, Curator: Jason Leggiere, Bloodshow
2002 Pacific Rim Sculptors, San Francisco, CA, Bay Area Student Sculpture Biennial
2002 16march projects, San Francisco, CA, Curators: Steven Barich/Shanna Maurizi, Trepidation
2002 Olive Hyde Gallery, Fremont, CA, Annual Olive Hyde Textile Exhibit
2002 Mills College Art Museum, Oakland, CA, Master of Fine Art Thesis Exhibition
2002 Adobe Bookshop, San Francisco, CA, Collaborative Project by Christine Sheilds, The Tiny Show
2002 New Langton Arts, San Francisco, CA, Remember When…
2002 Southern Exposure, San Francisco, CA, SoExquisite
2001 San Francisco Arts Commission Gallery, CA, Murphy & Cadogan Award Exhibition
2001 Mills College Student Union, Oakland, CA, Curator: David Kwan, Video Pieces
2001 Mills College Concert Hall, Oakland, CA, Workshop Collaboration with Paul De Marinis
2001 Studio Z Gallery, San Francisco, CA, Residual Images
2001 Southern Exposure, San Francisco, CA, Synesthesia, Annual Fundraiser and Auction
2000 Southern Exposure, San Francisco, CA, Juror: Tom Finkelpearl, Fuzzy Logic
2000 Arrowspace, Olympia, WA, Curator: Tina Herschelman, Ladyfest: Fabric, Objects and Art
2000 Cellspace, San Francisco, CA, Curator: Ev Funes, The Element of Temporary
2000 Calumet Studio, San Francisco, CA, Fabricated To Be Photographed
2000 Southern Exposure, San Francisco, CA, Blueprint
1999 Lump Gallery, Raleigh, NC, Curator: De Kwok, The Soft Museum
1999 Southern Exposure, San Francisco, CA, Juried by Karen Moss, Tender
1999 Southern Exposure, San Francisco, CA, Shiny
1997 Artists’ Television Access, San Francisco, CA, Curator: Matthew Biederman, Access-a-thon
1997 Milkyworld Gallery, Seattle, WA, Curator: De Kwok, The Playdough Show
1995 University Art Gallery, University of California, Irvine, CA, Tangerine Scream
1994 University Art Gallery, University of California, Irvine, CA, Superwoman
1994 University Art Gallery, University of California, Irvine, CA, Microwaves
2024 Best New Media Art Award, Chroma Art Film Festival, Presented by Rainbow Oasiiis x Superblue, Miami, FL
2024 TTToracle for Taboo Transgression Transcendence Art & Science Residency, Corfu, GR
2024 Best Animation Award, Venice Under the Stars International Film Festival, Venice, IT
2024 Best Animation Award, Munich New Wave Short Film Festival, Munich, DE
2024 Best Animation Award, Japan International Film Festival, Tokyo, JP
2024 Best Experimental Film Award, Japan International Film Festival, Tokyo, JP
2024 Best Animation Award, Tokyo International Short Film Festival, Tokyo, JP
2024 Best Art Film Award, Miami Film Critic Award, Miami, FL
2024 Best Female Director Award, Toronto Indie Filmmakers Festival, Toronto, ON
2023 Best Experimental Film Award, Seoul International Short Film Festival, Special Prizes Category, Seoul, KR
2023 Wave Farm Media Arts Assistance Fund for Artists Grant (MAAF), a regrant program by New York State Council on the Arts
2023 Beall Center for Art + Technology Black Box Projects Artist-in-Residence, University of California, Irvine
2022 NEW INC+EY Metaverse Lab Artist-in-Residence, New Museum, New York, NY
2022 Simons Foundation Supported Sciart Collaboration with Dr. Adam Lamson, Flatiron Institute, New York, NY
2022 Unnamed Fund Genesis Community Grant, New York, NY
2022 Longlist: Lumen Prize for Art & Technology, Still Image Award
2021 Finalist: Falling Walls Science Breakthroughs of the Year in Art and Science Award
2021 Finalist: Experimental Weaving Residency, Supported by the Center for Craft, Creativity and Design, Unstable Design Lab, Boulder, CO
2020 Coalesce Center for Biological Arts Bioartist-in-Residence, University at Buffalo, NY
2020 NEW INC Creative Science Incubator, New Museum, New York, NY (Supported by Science Sandbox, a Simons Foundation Initiative)
2020 uCity Science Center Bioartist-in-Residence, Philadelphia, PA (Supported by Dolfinger-McMahon Foundation)
2020 BioBAT Art Space Artist-in-Residence, Brooklyn Army Terminal, Brooklyn, NY
2019 National Endowment for the Arts Digital Arts Fellowship, AS220 Industries, Providence, RI
2019 NEW INC Creative Experiments Incubator, New Museum, New York, NY (Supported by Science Sandbox, a Simons Foundation Initiative)
2019 Finalist: Experimental Weaving Residency, Unstable Design Lab, Boulder, CO
2018 Harvestworks Digital Art Center Artist Residency Scholarship, New York, NY
2018 uCity Science Center Bioartist-in-Residence, Philadelphia, PA (Supported by the Knight Foundation)
2017 Institute for Electronic Artist-in-Residence, Alfred, NY
2016 Artist-in-Residence, subnetAIR at The Center for Human-Computer Interaction, University of Salzburg, Salzburg, AT
2016 IMRC/Department of New Media Researcher-in-Residence, University of Maine, Orono, ME
2016 Selection, International Digital Art Competition, Jurors: Nancy Meyer/Rex Bruce, Los Angeles Center for Digital Art, Los Angeles, CA
2015 Artist-in-Residence, Illinois State University, Normal, IL
2015 SÍM Artist-in-Residence, Reykjavík, IS
2015 Normal Editions Workshop Printmaking Collaboration, Normal, IL
2015 ACRE Artist-in-Residence, Steuben, WI
2015 Artist-in-Residence, Digital Fabrication Residency, Remote
2015 Artist-in-Residence, Summit Salon at Hotel Jersey, Union City, NJ
2014 (Re)-Create Artist Residency Award, Hayden Lake, ID
2014 Artist-in-Residence, Summit Salon at Hotel Jersey, Union City, NJ
2012 Artist’s Grant for the Vermont Studio Center Artist Residency, Johnson, VT
2012 Smack Mellon Hot Picks Program, New York, NY
2012 Honorable Mention, Dave Bown Projects Semiannual Competition
2011 Jerome Foundation Fellowship for the Tofte Lake Center Emerging Artists Program, Ely, MN
2010 Pollock–Krasner Fellowship for the Byrdcliffe Artist in Residence Program, Woodstock, NY
2008 Medicine Factory Artist-in-Residence, Memphis, TN
2007 Jerome Foundation Travel and Study Grant for Visual Arts
2006 Finalist, Public Art Commission, Science Building, Lehman College, Bronx, NY
2004 Kala Art Institute Artist Residency Fellowship Award, Berkeley, CA
2004 Gen Art SF Grant
2003 Trillium Fund Grant
2002 Herringer Prize for Excellence in Art
2002 Mills College Graduate Research Grant
2001 Eklind Fellowship Award
2001 Cadogan Fine Arts Fellowship Award
2001 Mills College Graduate Research Grant
1995 Chancellor’s Scholar, University of California Irvine
1994 Studio Art Coalition Grant, University of California Irvine
Thoma Art Foundation
Anne & Michael Spalter Digital Art Collection
Chan Zuckerberg Initiative
Berkeley Art Museum
Cytokinetics
Langone Art Collection
University of Oregon
University of California San Francisco, Infectious Disease Department
Institute for Figuring
Fales Library at New York University
uCity Science Center
(Re)Create Collection
Neural Archive
Private Collections
2024 Practices of Looking: An Introduction to Visual Culture, 4th Edition, Marita Sturken/Lisa Cartwright, Oxford University Press (Forthcoming)
2023 Radical Fiber: Threads Connecting Art and Science, Editor: Rebecca McNamara, Published by D.A.P./Distributed Art Publishers
2023 FEMeeting: Women in Art, Science and Technology, Edited by Marta de Menezes and Dalila Honorato, Published by Cultivamos Cultura
2023 Seeing the Unseen: Science and Art, Wignall Museum of Contemporary Art, J. Eisberg/R. Ikeda/M. Padilla/R. Trawick
2023 Copy Machine Manifestos: Artists Who Make Zines, Essays by Gwen Allen, Julia Bryan-Wilson, Tavia Nyong’o, Alexis Salas, Mimi Thi Nguyen, Co-published by Brooklyn Museum and Phaidon Press
2023 Posthuman Pathogenesis: Contagion in Literature, Arts, and Media, Edited by Başak Ağın and Şafak Horzum, Routledge
2023 Engaging The Public With Science: Researcher Engagement Program Connects Scientists With Society And Culture, Simons Foundation, Outreach, Education And Engagement (OEE)
2023 You Stir the Pot: Recipes for Change, Edited by Victoria Manganiello, Published by Snake Hair
2023 The Archive to Come, by Carla Gannis & Clark Buckner, Published by Telematic Media Arts
2023 Possibles: ISEA 2022, Edited by Pau Alsina, Irma Vilà, Susanna Tesconi, Joan Soler-Adillon, Enric Mor, Published by Universitat Oberta de Catalunya / ISEA
2023 European Journal of English Studies—Going Viral: Chronotopes of Disaster in Film and Visual Media, “Spread the Word: Mattertext as Bio-Art”, by Başak Ağın, Volume 26, Issue 3, Jan 19, 2023
2022 Evigt liv (Life Eternal), Editors: Jan Gradvall and Clara Åhlvik, Published by The Nobel Prize Museum
2022 States of emergency: art in times of pandemic, by Israel Rodríguez Giralt, Centre d’Art Santa Mònica, Barcelona, ES
2022 An enemy like the future, by Ian Alan Paul, Centre d’Art Santa Mònica, Barcelona, ES
2022 Technologies for the celebration of multiple ends, by Paz Peña O., Centre d’Art Santa Mònica, Barcelona, ES
2021 Laura Splan: Entangled Entities, Curator’s Introduction by Michael Dickins, Essay by Hannah Star Rogers, The New Gallery
2021 Bruges Triennial 2021: TraumA, By Till Holger-Borchert, et al., Stichting Kunstboek BVBA
2021 Visualizing the Virus, Curated by Dr. Sria Chatterjee, Basel, CH
2021 Gloves: An Intimate History, by Anne Green, Reaktion Books, Distributed by the University of Chicago Press
2021 Haptic/Somatic, Curator’s Introduction by Patricia Miranda, Buley Library Gallery, Southern Connecticut State University
2021 The New Normal?, by Sophie Fulton, Glasgow, GB
2021 TEXTILE: Cloth and Culture Journal, “STEAM at Work: ‘Translating’ Science into Dress”, by Armida De La Garza, 07 Sep 2021
2021 On the Materiality of Feminist Resistance: Textile Agency Against Sexual Violence and Femicides, "Did she ask you twice?", by Sarah Held, Springer Nature
2020 MuseumsJournal: Corona Issue, Kulturprojekte Berlin, Berlin, DE
2020 In Dialogue, Issue #2, Grizzly Grizzly, Philadelphia, PA
2020 Culture of Contamination, Edited by Tarah Rhoda, SciArt Magazine
2020 E-Squared Magazine, Autumn Issue, No. 5, Edited by Emily A. Dustman
2019 Antennae: The Journal of Nature in Visual Culture, Interface Issue #48, Limited Edition, Edited by Giovanni Aloi
2019 Bioart Residency Project, Essay by Cindy Stockton-Moore, University City Science Center (with Integral Molecular & Esther Klein Gallery), Philadelphia, PA
2018 Mirror, Mirror, Edited by Anonda Bell, Paul Robeson Galleries, Rutgers University
2018 Material Turn, FOFA Gallery, Montréal, CA
2018 Possible Bodies, Eds. Karla Spiluttini/Korinna Lindinger, Stadtgalerie Lehen, Salzburg, AT
2018 Reading Material, Eds. Susan Messer/Melanie Herzog/Michael Flanagan, Crossman Gallery, University of Wisconsin, Whitewater, WI
2017 Dynamic Patterns: Visualizing Landscapes In A Digital Age, By Karen M’Closkey/Keith VanDerSys, Routledge
2016 Objects of Wonder, Eds. Madeline Schwartzman/David Familian, Beall Center for Art + Technology, Irvine, CA
2016 The Routledge Companion to Biology in Art & Architecture, Eds. C. Terranova/M. Tromble, Routledge
2015 Compendium: The Interchange of Art & Science, Eds. Lorrie Fredette/Beth Giacummo, Islip Art Museum, Islip, NY
2014 Re/Presenting HIV/AIDS, Eds. Ann M. Fox/David R. Wessner/Lia Newman/Rosemary Gardner, Van Every/Smith Galleries, Davidson College, Davidson, NC
2014 Disability Studies Quarterly, “Disability Art, Aesthetics, and Access: Creating Exhibitions in a Liberal Arts Setting”, Jessica A. Cooley & Dr. Ann M. Fox, Vol 34, #1
2014 The Art of Tinkering, Exploratorium, San Francisco, CA
2014 Women Artists and the Body, Curatorial Essays by Ferris Olin and Judith K. Brodsky, Institute for Women and Art, Rutgers, The State University of New Jersey, NJ
2013 Handicraft: Material and Symbolism, Thorsten Sadowsky, Museum Kunst der Westküste, Föhr, DE
2013 Gone Viral: Medical Science and Contemporary Textile Art, by Leesa Rittelmann, Marion Art Gallery, Fredonia, NY
2012 Past is Present: Contemporary Approaches to Historical Decorative Arts & Design, Kristen Miller Zohn, Columbus Museum, Columbus, GA
2012 Thread of Life, Museum of Fine Arts, Tallahassee, FL
2012 Women’s Studies Quarterly, “Viral”, The Feminist Press, Spring/Summer
2011 Watching Hands, by Louise E. Shaw, David J. Sencer CDC Museum in Association with the Smithsonian Institution, Atlanta, GA
2011 Hoopla: The Art of Unexpected Embroidery, Leanne Prain, Arsenal Pulp Press
2011 Fashion Drawing: Illustration for Fashion Designers, Michele Wesen Bryant, Prentice Hall
2010 Unravelled, Preston Manor, Brighton & Hove, UK
2010 Signs: Journal of Women in Culture and Society, University of Chicago Press, Winter, Cover
2010 Fuzzy Logic, by Audrey Mast/Brandon Anschultz, Des Lee Gallery, St. Louis, MO
2010 Manifold: The Body Divided, by Billy Renkl Trahern Gallery, Clarksville, TN
2009 Handarbeta För En Bättre Värld, Exhibition Catalog, Jönköpings County Museum, Jönköping, SE
2009 Dissolving Views, by Ihnbum Lee, Cheongju International Craft Biennale, Cheongju, KR
2009 Dynamic Equilibrium, by Rachel Seligman, Mandeville Gallery, Schenectady, NY
2008 Manuf®actured: The Conspicuous Transformation of Everyday Objects, Holt Skov/Skov Holt, Chronicle Books
2008 Biological Imperative, Emma Wilcox, Gallery Aferro, Newark, NJ
2008 Specimen: Representing The Natural World, Anonda Bell, Paul Robeson Galleries, Rutgers University, Newark, NJ
2007 Pricked: Extreme Embroidery, David Revere McFadden, Museum of Arts and Design, New York, NY
2007 Evocative Objects: Things We Think With, Ed. Sherry Turkle, “Blue Cheer” by Gail Wight, The MIT Press, p93
2007 Under the Skin, by Lindsay Obermeyer, Translations Gallery, Denver, CO
2007 The Powder Room, Georganne Deen/Christine Wertheim Track 16 Gallery, Santa Monica, CA
2006 Sextessense: A Tribute to John Stevens and the SME, CD cover art
2006 Four Freedoms, Robert L. Tillman, Baker Center for the Arts, Allentown, PA
2005 Intelligent Distribution: Artists Respond to Technology, Nathan Hainlein, Sonoma State University Art Gallery, Rohnert Park, CA
2005 SubAnatomy, Chandra Cerrito, Museum of Contemporary Art, Santa Rosa, CA
2005 Surface Design Journal: Machine Embroidery, “Informed Source”, Fall, pp46-47
2005 The Columbia Journal of Law & the Arts, “The Potential Decline of Artistic Creativity in the Wake of the Patriot Act: The Case Surrounding Steven Kurtz & the Critical Art Ensemble”, Joyce Lok See Fu, Fall
2005 Pearl Necklace, Issue #4, pp64-65
2005 3rd Floor: A Portable Artspace, Spring, p10
2004 Meat Show, Kara Maria, San Francisco Arts Commission Gallery, CA
2004 New American Talent 19, Jerry Saltz, Arthouse, Austin, TX
2004 New Fangle, Gen Art New Media Art, Herbst Int’l Exhibition Hall, San Francisco, CA
2004 Public Library of Science Medicine Journal, November, Cover
2003 Die Cast Garden: Ground Founds, Zine, Editor: Allyson Shaw
2002 Die Cast Garden: Paraphysics, Zine, Editor: Allyson Shaw
1996 Milky, Zine Issue #6, pp30-31, Editor: De Kwok
1995 Grand Larceny: Reclaiming Stolen Histories, Vol 2, p37
1996 Beehive: Brushes With Greatness, E-Zine Issue #5, Editors: Laura Splan/Allyson Shaw
1995 Beehive: Swallow, Zine Issue #4, Editors: Laura Splan/Allyson Shaw
1994 Beehive: Pornography for Angels, Zine Issue #3, Editors: Laura Splan/Allyson Shaw
1994 Beehive: Bodily Transformation, Zine Issue #2, Editors: Laura Splan/Allyson Shaw
1993 Beehive: …in a temper, Zine Issue #1, Editors: Laura Splan/Allyson Shaw
1991 Creative Crossroads, Editors: Deanne Wells/Heather Wehry, Vol. XII, Issue 2, p19
1991 Creative Crossroads, Editors: Deanne Wells/Heather Wehry, Vol. XII, Issue 1, p18
2024 Splan, Laura. "GUI/GOOEY: Re-examining technological translations of the biological world". Cambridge Open Engage. Sep 3, 2024
2023 Splan, Laura. “Syndemic Sublime: Rematerializing the Expanded Biotechnological Apparatus in the Age of Remote Intimacy and Immediate Precarity”, Possibles: The Proceedings of the 27th edition of the International Symposium on Electronic Art (ISEA), Feb 2023
2015 Splan, Laura. “Manifest: The Role of Science in the Studio”, Art Practical: Art, Science, & Wonder, Issue 7.2, Oct 29, 2015
2024 ArtReview, "The Optical Illusions of the Digital Age", by Charlotte Kent, Dec 12, 2024
2024 Art Spiel, "Art Spiel Picks : Art and Technology NYC Exhibitions November 2024", by Michele Jaslow, Nov 21, 2024
2024 OC ART BLOG, "The Dis-Ease In The Machine", by Chris Hoff, Aug 28, 2024
2024 HOLO, "Future Tense: Art, Complexity and Uncertainty—In Conversation with Artist Laura Splan", by David Familian, Aug 24, 2024
2024 Design Decode, "From Molecular Mysteries to Artistic Revelations: How Interdisciplinary Collaborations Illuminate the Hidden Wonders of Science and Art", by Michela Ventin, Sep 18, 2024
2024 CONNECT Magazine, "Complexity in Focus", by Christine Byrd, Aug 24, 2024
2024 Stir Pad, "Biodesign Challenge Summit 2024 honours young biodesigners across 12 categories", Aug 4, 2024
2024 RTVE, "PST ART: Art and science collide in a journey through technological evolution through art", By Ruth Cantarero, Jun 12, 2024
2024 HOLO, "Missives from the Future (Tense)", by Claire L. Evans, Apr 25, 2024
2023 MovieMaker Magazine, "CLIMAX 2024 Announces Film Festival Lineup", Dec 4, 2023
2023 Nature, "How ChatGPT and sounds from space brought a ‘luminous jelly’ to life" by Julie Gould, Nov 24, 2023
2023 Hyperallergic, "A Deep Dive Into the Underground World of Zines: Copy Machine Manifestos: Artists Who Make Zines, opening next month at the Brooklyn Museum, will feature nearly a thousand works by almost 100 artists", by Maya Pontone, October 26, 2023
2023 On Goingness, “Laura Splan: On Art, Science, and Sticky Settings”, Podcast interview by Jenny Morris, Jul 21, 2023
2023 BOMB, “The Gooeyness of the Biological World: Art at the intersections of science, technology, and culture”, Anna Mikaela Ekstrand, Jan 18, 2023
2022 Science Friday, “A DNA Map You Can Touch—Or Walk Through”, Executive Producer/Host: Ira Flatow and Producer/Host: Christie Taylor, Dec 23, 2022
2022 Marketing AI Institute, "The Cognitive Human Enterprise: When AI, the Metaverse, and Humanity Collide—Laura Splan and the VR Experience" By Cathy McPhillips, Oct 6, 2022
2022 Sedition, “Artist Laura Splan on Using Scientific Tools to Make Digital Animations”, Oct 4, 2022
2022 Interalia Magazine, “Laura Splan: Mediating our relationship to the molecular world”, Interview by Richard Bright, January 2022
2022 Betevé, “Environment and Pandemic, Protagonists of the Digital Art Exhibition The Irruption”, Jun 11, 2022
2022 Arranging Tangerines: Lydian Stater Gallery Podcast, “A Conversation with Laura Splan”, Jun 2022
2022 Extrapolations, “Liminal Spaces Between Art and Science: An Interview with Artist Laura Splan”, Schrödinger, Apr 28, 2022
2021 Interalia Magazine, “Meeting Points Redefined”, Angela McQuillan, Nov 1, 2021
2021 Het Nieuws van West-Vlaanderen, “Triennial Bruges TraumA”, Mario De Wilde, Oct 28, 2021
2021 Hart Magazine, “Of Covetousness and Unease, TraumA, The Third Bruges Triennial”, Max Borka, Oct 24, 2021
2021 CLOT Magazine, “Laura Splan’s Entangled Entities, the intertwining of art & biotechnology”, by Giulia Ottavia Frattini, Aug 7, 2021
2021 Proceedings of the National Academy of Sciences (PNAS), Journal of the National Academy of Sciences, “Science and Culture: The evolving portrait of a virus”, by Stephen Ornes, Jul 20, 2021
2021 The Low Countries, “Triennial Bruges 2021: Face Your Fears and Dream Big During an Artistic Exploration of Fantasy and Reality”, Yasmin Van ‘tveld, Jul 6, 2021
2021 Fast Company, “What COVID-19 looks like as a stunning work of art: Brooklyn artist Laura Splan provides a fresh perspective on how we view viral diseases by marrying art with science”, Suzanne Labarre, Jul 12, 2021
2021 Artribune, “Bruges Triennial 2021: Themes and artists of the third edition”, Marco Enrico Giacomelli, Jun 2, 2021
2021 Bigumigu, “Animations Inspired by Biological Systems: Bioartist Laura Splan produced a series of animations using molecular visualization software and coronavirus structures”, Ece Burgaz, May 20, 2021
2021 Designboom, “Finding Beauty in Biological Systems: Laura Splan on Animating the Alienating Science of the Pandemic”, Nina Azzarello, May 15, 2021
2021 Designboom, “For Triennial Bruges 2021, Artists Interweave Monumental Interventions with the Historic Urban Fabric”, Nina Azzarello, May 13, 2021
2021 ARTE.it, “Mysterious and Unusual: The Bruges Triennial Reveals the Hidden Face of the Flemish City”, Samantha De Martin, May 11, 2021
2021 VRT NWS, “Art trail Triennial in Bruges starts: ‘We are playing with the image of the city’ “, Kristien Bonneure, May 8, 2021
2021 Viajes National Geographic, “A Good Trauma: The Bruges Triennale ‘Trauma’ 2021 Shows the Lesser-Known Side of the City”, Meritxell Batlle Cardona, May 07, 2021
2021 NYC & Company, “Q&A with MoMA Curator Paola Antonelli”, Rachael Roth, Mar 23, 2021
2020 TWiV, “Year of the Pandemic: Science Picks”, Vincent R. Racaniello, Nov 19, 2020
2020 The Brooklyn Rail, “The Archive to Come”, Charlotte Kent, Dec 15, 2020
2020 Flying Slippers, “The Structure Of SARS: A Dangerous Beauty In Constant Flux”, Angela McQuillan, Nov 19, 2020
2020 Newcity Art, “Laura Splan: Unraveling”, Lori Waxman, Nov 18, 2020
2020 Voice of America: Log On, “American Artist Makes Lethal Virus Her Muse”, Matt Dibble, Sep 2, 2020
2020 Lexo, “Bashkëjetesë me Virusin!”, Elda Shabani, Apr 24, 2020
2020 frieze, “What Can a Surgeon Learn from a Tailor? Harnessing the Healing Art of Thread”, Amber Butchart, Apr 17, 2020
2020 The Hindu, “Coronavirus and art in a petri dish”, Naveena Vijayan, Mar 27, 2020
2020 Inc. Magazine, “These Scientists—and Tech Titans—Are Working With Artists to Boost Creativity”, Leigh Buchanan, Jan 9, 2020
2019 Flying Slippers, “Unfolding Narrative: Laura Splan’s Conformations at Esther Klein Gallery”, Cindy Stockton Moore, Nov 19, 2019
2019 Sound & Vision Podcast, “Laura Splan”, Interview by Host Brian Alfred, Nov 28, 2019
2019 Broad Street Review, “Esther Klein Gallery presents Conformations: The art of science”, Michelle Nugent, Nov 05, 2019
2019 MutualArt, Jerry Cullum, “Art, science and women’s perspectives”, Aug 7, 2019
2017 Santa Fe New Mexican, “Preserving old new media: Digital art from the Thoma Foundation”, Michael Abatemarco, Jun 16, 2017
2017 Hyperallergic, “From Beaded Portraiture to Brainwave Drawings...”, Seph Rodney, Jun 5, 2017
2017 The Houston Chronicle, “Sculpture made with the blink of an eye: Laura Splan’s Manifest...”, Molly Glentzer, Jan 30, 2017
2017 Daily Voice, “Remedy For Winter Blahs: Catch ArtsWestchester Exhibit In White Plains”, Jon Craig, Jan 2, 2017
2017 Interalia Magazine, “Manifest Expressions: Interview with Laura Splan”
2016 Arte Fuse, “Revolutionary! Satellite Art Show 2016’s Stellar Second Act”, Audra Lambert, Dec 6, 2016
2016 Surface Design Journal, “Laura Splan: Manifest”, Elizabeth Lopeman, Summer 2016, pp22-27
2016 Santa Fe New Mexican, “All the pretty software: CODE and NOISE”, Paul Weideman, June 10, 2016
2016 Street Anatomy, “The Growth of Microbial Art”, Emily Evans, May 16, 2016
2016 Lenscratch: Fine Art Photography Daily, “Art + Science: Laura Splan”, Linda Alterwitz, Feb 8, 2016
2016 Speak Speak Blog, “Laura Splan and Gail Wight, Raw Material: In Conversation with Curator Angela McQuillan”, Sep 2016
2015 Digital Fabrication Residency Blog , “Laura Splan and Liss LaFleur, In Conversation: Digital Fabrication in the Studio”, Jul 2015
2015 Interalia Magazine, “Biological Imaginings: Interview with Laura Splan”
2015 Art & Translation, “The Body Speaks Louder Than Words: Exploring the Impact of Laura Splan’s Host”, Megan Guerber, Dec 22, 2015
2015 The New York Times, “Islip Exhibition Explores How Science Influences Art”, Karin Lipson, Oct 22, 2015
2015 Issues in Science and Technology, “Objects of Wonder”, Alana Quinn, Vol 32, #1, Fall 2015
2015 Event Horizon, “Interview: Laura Splan”, Claire Dysdale, Oct 28, 2015
2015 The Daily Voice, “Pelham Art Center Hosts Discussion On Exhibit TechNoBody”, Cassandra Huerta, Mar 15, 2015
2015 anti-utopias: Digital Art Series, “Virtually Real: Conversations On TechNoBody Part I & II”, Sabin Bors, Feb 23/Mar 5, 2015
2015 Nashville Scene, “Blood & Guts with Laura Splan: Last Wednesday’s Artist Talk at Austin Peay”, Erica Ciccarone, Jan 30, 2015
2014 Revue Combine, “Contaminate the Living”, Guillaume Robin, Dec 2014
2014 SciArt Magazine, “Laura Splan, Straight Talk: Interview with Laura Splan by Julia Buntaine”, Feb 2014
2014 PNAS, “Science and Culture: Dangerous doilies”, Rebecca Horne, Aug 12, 2014, Vol 111, #32
2014 The Scientist, “What Lies Beneath”, Ajai Raj, Jun 23, 2014
2014 The New York Times, “From Private Repository to Public Forum”, Martha Schwendener, Feb 7, 2014
2014 Hyperallergic, “New Directions at Greenpoint Gallery Night”, Michael Groth, Feb 10, 2014
2013 SciArt Magazine, “On The Fringe: SciArt In New York”, Julia Buntaine & Ashley P. Taylor, Dec 2013
2013 Art in America, “Salvaging Digital Art at the New Museum”, Leigh Anne Miller, Aug 12, 2013
2011 Univ.of Rochester Campus Times, “Extreme Materials 2: An eye-opening new exhibit”, Julia Sklar, Oct 27, 2011
2011 City Newspaper, “Extreme Materials 2”, Rebecca Rafferty, Oct 26, 2011
2011 Casper Star-Tribune, “Nicolaysen Art Museum opens four new exhibitions”, Margaret Matray, Sep 30, 2011
2011 Scienceline, “Blood and lace: Laura Splan’s artwork will make you look – twice”, Lena Groeger, Jan 25, 2011
2010 Die Tageszeitung, “Die Schönheit der Viren”, Maria Rossbauer, Dec 18, 2010, p18
2010 The New York Times, “Of Compost, Molecules and Insects, Art Is Born”, Natalie Angier, May 4, 2010, pD1
2010 Textiel Plus, “Onbehaaglijke schoonheid”, Dorothé Swinkels, Summer 2010, #212, pp28-30
2010 The Mirror, “Art: Beware of Embroidery at Ealing’s PM Gallery”, Martin Newman, Jan 19, 2010
2010 Crafts Magazine, “Using their threads: A new show looks to the future of embroidery”, Emma Love, Jan 2010
2009 American Craft Magazine, “Domestic Subversion”, Elizabeth Lopeman, Dec 2009, Vol 69, #6, pp28-29
2009 Utne Reader, Guntzel, Jeff Severns, “Deadly Viruses Re-imagined as Lace Doilies”, May 5, 2009
2009 Art XX Magazine, Paulina McFarland, “Interview with Laura Splan”, Sep 2009, #2, pp40-45
2009 Inland Empire Weekly, Stacy Davies, “Macramé Made Hip”, Feb 2009
2009 Fiberarts, “Laura Splan: Body of Evidence”, Whitney Crutchfield, January 2009, p80
2008 WKNO Memphis Public Radio: Checking on the Arts, “Laura Splan at Medicine Factory”, Nov 2008
2008 Pasajes Diseno, “¿Es Posible Un Picasso De Los Tapetes De Crochet?”, Ivan Lopez Munuera, Dec 2008
2008 The Oregonian, “Manufractured at the Museum of Contemporary Craft”, Bob Hicks, Sep 13, 2008
2008 The Portland Tribune, “Manuf®actured”, Randall Barton, Sep 4, 2008
2008 Rhizome, “Pretty on the Inside”, Tyler Coburn, Apr 30, 2008
2008 smithsonian.com, “Cringe Factor”, Courtney Jordan, Apr 14, 2008
2008 Los Angeles Times, “Medical Craft Madness”, Rosie Mestel, Apr 2008
2008 Whitehot Magazine of Contemporary Art, “Extreme Embroidery”, Sheena Sood, Feb 2008
2008 Shuttle Spindle & Dyepot, “Pricked: Extreme Embroidery”, Gaye Elder, Winter 2007/2008, pp 28-33
2008 Memphis Flyer, “Drawing Blood,” Leonard Gill, Jan 17, 2008, #986
2007 WBEZ Chicago Public Radio: Eight Forty-Eight, “Laura Splan: An Artist’s Unconventional Medium”, Tim Carnahan, May 2007
2007 Village Voice, “Let’s Get Stitched: A radical take on an old art”, Leslie Camhi, Nov 20, 2007
2007 Craft, “From Prozac To Skin Peels”, Julie Jackson, Nov 2007, Vol 5
2007 The Pitch, “Knit Happens: Raised in Craftivity ain’t your grandma’s crochet work”, Dana Self, Sep 20, 2007
2007 The Kansas City Star, “Art review: Raised in Craftivity is engaging group show”, Robin Trafton, Sep 20, 2007
2007 San Francisco Chronicle, “The man works wonders with, yes, paint rollers”, Kenneth Baker, Jun 16, 2007, pE-1
2007 Needle News, “When is a Virus Not a Virus?”, Ruth Kern, Summer 2007, Vol 10, #2, pp8-9
2007 San Francisco Bay Guardian, “Test People and Beneath the Skin: Levitation and latch-hook rugs”, Stacy Martin, Jul 4, 2007
2007 Fiberarts, “Arts and Sciences”, Lindsay Obermeyer, Summer 2007, Vol 34, #1
2007 The Scientist, “Making macro from micro”, Graciela Flores, May 4, 2007
2007 Chicago Sun Times, “Artist finds best drawing material is right at her fingertips”, Andrew Herrmann, May 3, 2007, p5
2007 Discover Magazine, “Art: Of Doilies and Disease”, Stephen Ornes, Feb 2007, pp66-67
2006 Wired, John Brownlee, “Laura Splan: Neuroanatomy in Blood”, Nov 28, 2006
2006 The Morning Call, Geoff Gehman, “21st-century artists explore FDR’s 1941 freedoms at ‘Berg”, Oct 26, 2006, pp8-9
2006 EL MUNDO Área de Salud, “Medicina en la galería de arte”, América Valenzuela, Oct 7, 2006
2006 Broward-Palm Beach New Times, “Il Duce Does Wal-Mart”, Michael Mills, Mar 16, 2006
2006 Fashionlines, “Embroideries: The act of stitching cloth reflects artists’ play with popular understandings about feminine work, gender stereotypes and empowerment”, Christine Suppes, Fall 2006
2006 Kitchen Sink, “The Inside-Out Art of Laura Splan”, Tara Goe, Vol 4, #1, 2006, pp71-75
2006 Miami New Times, “Creativity in the Corporate Age: When art imitates life a little too closely”, K. Lee Sohn, Feb 16, 2006
2005 VC Reporter, “Body of Art,” Stacey Wiebe, Sep 22, 2005, pp23-28
2005 KQED San Francisco Public Television: Spark, “Laura Splan: Artist in Search of a Medium”, Mar 2005
2005 East Bay Express, “Meltdown: Plastic Fantastic,” Eric K. Arnold, Aug 31, 2005, Vol 27, #47, p24
2005 Artweek, “SubAnatomy & Nathan Lynch: Sweetspot at the Museum of Contemporary Art,” Colin Berry, Jul 2005, pp12-13
2005 El Mundo: MEDICINA, “CIENCIA ILUSTRADA (II): Los artistas en el laboratorio”, América Valenzuela, Jul 15, 2005
2005 7x7 San Francisco Magazine, “Seeing Red”, Todd Miles, May 2005, p48
2005 SF Chronicle: Art, “Laura Splan: Femina Potens”, Alison Bing, Mar 2005
2005 artbusiness.com, “Femina Potens Gallery: Laura Splan”, Alan Bamberger, Mar 9, 2005
2005 Voir, “Pop Culture: Maux d’hiver”, Mélissa Proulx, Feb 10, 2005, #506
2005 The Ottawa Sun, “SAW takes art to the outdoor people”, Denis Armstrong, Feb 2, 2005, p43
2005 Ottawa Xpress, “SAW Gallery’s Winter Exposure”, Anita Euteneier, Jan 13, 2005, Vol 12, #2
2005 Artweek, “Meat Show at the San Francisco Arts Commission Gallery”, Alison Bing, Feb 2005, Vol 36, #1, p29
2005 Release Print, “Gallery Project”, Natalija Vekic, Jan 2005, Vol 28, #1, pp24-25
2004 The San Francisco Bay Guardian, “Meat Show”, Clark Buckner, Dec 22, 2004, Vol 39, #12
2004 The Daily Californian, “This Meat Can’t Be Beat”, Steve Saldivar, Dec 2, 2004
2004 Fiberarts, “High Fiber”, Virginia Davis, Nov 2004, pp58-59
2004 Austin Chronicle, “New American Talent – The 19th Exhibition”, Robi Polgar, Aug 6, 2004
2004 San Francisco Weekly, “Linear Thinking”, Adrienne Gagnon, Jul 21, 2004
2004 San Francisco Chronicle, “Hosfelt Gallery show suggests we’re blinded by information”, Kenneth Baker, Jul 10, 2004, pE1
2003 VC Reporter, “Natural Refinement: Organic takes art by the roots and (gently) pulls”, Rob Campbell, Dec 15, 2003
2003 Los Angeles Times, “Calendar Weekend: All certified Organic”, Josef Woodard, Dec 4, 2003
2003 Artweek, “Introductions South at the San Jose Institute of Contemporary Art”, DeWitt Cheng, Oct 2003, Vol 34, #8
2003 Artweek, “Illegal Art at SFMOMA Artists Gallery”, Christine Brenneman, Sep 2003, Vol 34, #7, p17
2003 Stretcher, “West Coast”, Meredith Tromble, Aug 27, 2003
2003 The Boston Globe, “Art attack”, Chris Gaither, Jul 14, 2003, pC1
2003 Wired News, “Artists Just Wanna Be Free”, Danit Lidor, Jul 07, 2003
2003 San Francisco Weekly, “Copy Right or Wrong, Freedoom of Expression: Illegal?”, Hiya Swanhuyser, Jul 2, 2003, p30
2003 San Francisco Bay Guardian, “8 Days a Week: Something in the Air”, J.H. Tompkins, Jul 2, 2003, pp66-67
2003 Memphis Flyer, “Little Green Anthropologists”, Chris Davis, Jun 12, 2003, p27
2002 San Francisco Weekly, “House of Tudor”, Silke Tudor, Dec 24, 2002
2002 SF Gate, “Pet And Touch: Two digital artists bring the organic body onto the computer”, Glen Helfand, Jul 2002
1999 bayarea.citysearch.com, “Julia Babiarz and Laura Splan: Marked Territories”, Colin Berry, Aug 1999
1999 San Francisco Bay Guardian, “Critic’s Choice”, Elise Archias, Vol 33, #47, Aug 1999, p116
1999 San Francisco Chronicle, “The Medium is the Message”, Margaret Phelps, Aug 15, 1999, p21
1999 Spectator, “West Meets East: Two Triangle venues host new West Coast art”, Michele Natale, May 19, 1999, p17
1999 TCI Cable Television: Inside City Limits, San Francisco, CA, 1999
1998 RES, “Easy Access--Community Television: a virtually untapped distribution network”, Joe Nickell, Spring 1998, pp33-38
2024 Getty PST Art & Science Collide: Future Tense, Produced by the Beall Center for Art+Technology, Irvine, CA
2023 Sticky Settings: Laura Splan x Adam Lamson, Produced by the Simons Foundation, New York, NY
2022 Laura Splan: NEW INC Artist-in-Residency at EY, in Collaboration with the Cognitive Human Enterprise at EY, New Museum, New York, NY
2021 Laura Splan: Disentanglement, Video by Bruges Triennial: TraumA, Bruges, BE
2017 Laura Splan: Material Expressions, Video by By Brenda Cruz-Wolf for Capsule Gallery, Houston, TX
2011 Laura Splan: Featured Artist, Video by CDC Museum, Atlanta, GA
2008 Installing Manuf®actured, Video by Museum of Contemporary Craft, Portland, OR
2005 Laura Splan: Artist in Search of a Medium, Spark, Produced by KQED Television, March
1997 Artist’s Television, Artist’s Television Cable Access, San Francisco, CA
* asterisk indicates recorded talks and lectures
2024 University of Technology Sydney, Sydney, AU, The Australian Bioprinting Workshop for Tissue Engineering and Regenerative Medicine (Speaker—Bloom: Linda Dement × Laura Splan) *
2024 Virginia Tech, Blacksburg, VA (Artist Talk—Cryptic Lineages) *
2024 Buffalo AKG Art Museum, Buffalo, NY (Featured Speaker/Panelist—Voices in Contemporary Art: Electric Op) *
2024 University of California Irvine, Art, Design, and Electronic Culture, Future Tense Lecture Series (Artist Lecture—Baroque Bodies)
2024 Getty’s PST Art & Science Collide Initiative at Beall Center for Art + Technology, Irvine, CA, Moderators: David Familian/Jeff Barrett, Future Tense: Art, Complexity, and Uncertainty (Artist panel with Ralf Baecker, Lucy Solomon, Chico MacMurtrie, Laura Splan, Hege Tapio)
2024 LASER (Leonardo Art Science Evening Rendezvous), Curators: Ellen K. Levy & Patricia Olynyk, New York, NY (Artist Talk—Baroque Bodies)
2024 The Hmm at Extrapool, Nijmegen, NL (Artist Talk: Laura Splan on Digital Worlds & Internet Culture) *
2024 North American Cultural Laboratory, Transforma Theatre, Curator: Tjasa Ferme (Speaker/Panelist—AI Hallucinations Symposium: Laura Splan, Heidi Boisvert, Maud Acheampong ...)
2024 Onassis ONX, New York, NY (Panelist: Laura Splan & Eva Davidova in conversation with EY Metaverse Lab's Domhnaill Hernon & Danielle McPhatter)
2024 The National Arts Club, New York, NY (Featured Speaker—Sticky Settings: Laura Splan × Adam Lamson)
2023 University of Cincinnati School of Art, Cincinnati, OH (Lecture & Studio Visits—Visiting Artist & Scholar Series: "Experiments in Glitch") *
2023 Vanderbilt Museum Planetarium, Centerport, NY (Featured Artist/Speaker—A Guided Sublimation: Laura Splan & Adam Lamson in conversation with Curator Paul Rubery and Media Theorist Brooke Belisle)
2023 Simons Foundation Triangle Retreat, Callicoon Hills, NY (Featured Speaker—Sticky Settings: Laura Splan & Adam Lamson)
2023 Taos Center For The Arts, Taos, NM, FEMeeting: Women in Art, Science and Technology (Artist Talk—Sticky Settings: Ambient Portals in the Genetic Landscape)
2023 Museum of Modern Art, New York, NY, Biodesign Challenge Summit (Visiting Critic/Panel Judge)
2023 Getty PST ART Symposium, Beall Center for Art+Technology, University of California, Irvine, CA (Artist Talk/Roundtable Participant—Future Tense: Art, Complexity and Predictability) *
2023 Harvestworks Technology Immersion Program, New York, NY, Curator: Carol Parkinson (Artist Talk—Research-Based Studio Practice)
2023 Royal Institute of Art, Department of Digital Media and Photography, Stockholm, SE, Åsa Andersson Broms’ Post Graduate Course: “Materialities; energies”, Royal Institute of Art (Artist Talk—Material Expressions: Subjectivity and Substance)
2022 Simons Foundation, SF Presents, Gerald D. Fischbach Auditorium, New York, NY, Moderated by Salome Asega (Featured Speaker—The Sticky Space Between Art & Science: In Conversation with Adam Lamson & Laura Splan)
2022 Museu d’Art Contemporani de Barcelona, Barcelona, ES, International Symposium on Electronic Art, Time and Space: Zooming in/out with Esther Pizarro and Ian Callender, Moderated by Andy Gracie (Artist Talk/Panelist—Syndemic Sublime)
2022 New Media Caucus, Future Bodies Symposium, Virginia Tech, Blacksburg, VA (Artist Talk with Panel Discussion—Cryptic Lineages: Convergence of Physical and Virtual Worlds in the Expanded Biotechnological Landscape) *
2022 SUNY Purchase College, Purchase, NY (Artist Lecture/Studio Visits—Cryptic Lineages: Navigating Magnitudes of Presence and Absence in The Expanded Biotechnological Landscape)
2022 University of Technology Sydney, Sydney, AU, The Australian Bioprinting Workshop for Tissue Engineering and Regenerative Medicine (Artist Talk—Sticky Settings: Navigating Entanglements of Computational and Biological Worlds)
2022 University of Puget Sound, Tacoma, WA, Art & Science Salon Series, Curator: Siddharth Ramakrishnan (Artist Lecture—Syndemic Sublime)
2022 University of Iowa, School of Art and Art History, Iowa City, IA (Artist Lecture—Metafrictions: Rhapsodies of Residues in Interstitial Spaces) *
2022 Arizona State University, Leonardo LASER Sciart Talks, Moderated by Pamela Winfrey, Tempe, AZ (Artist Talk—Material Healing) *
2022 New Media Caucus, College Art Association Conference, Showcase: New Media Artists & Scholars (Artist Talk—Syndemic Sublime) *
2022 Stanford University, Leonardo LASER Sciart Talks Co-sponsored by deans of Humanities and Sciences, Engineering and Medicine, Palo Alto, CA, Chaired by cultural historian Piero Scaruffi (Artist Talk—Recursive Residues: Navigating Interfaces Between Virtual & Biological Worlds) *
2022 Ohio State University, Department of Art, Visiting Artist Lecture Series (Artist Lecture—Metafrictions in the Expanded Biotechnological Landscape) *
2022 Biodesign Challenge Summit, New York, NY (Visiting Critic/Panel Judge/Presenter)
2021 The Crit Lab, New York, NY (Artist Lecture—Conserved Domains: (re)materializing patterns/(re)framing motifs)
2021 Fredrickson Family Innovation Lab in partnership with the Quick Center for the Arts (Artist Lecture—Unfolding Narratives: Mining the Biotechnological Imaginary) *
2021 Frontiers of Science Institute, University of Northern Colorado, Greeley, CO (Artist Lecture—Material Expressions: Rematerializing the Biomedical Imaginary)
2021 New Museum, NEW INC’s Radical Evolution: 10 Glimpses into the Future, Co-Presented by Science Sandbox (Artist Talk: Syndemic Sublime) *
2021 Museum of Arts & Design, ARTexchange/CAA, New York, NY (Artist Talk—Precarious Structures: Collective Unraveling & Remote Entanglements)
2021 Center of Excellence for the Creative Arts, Austin Peay State University, Clarksville, TN (Artist Lecture—Entangled Entities: Interspecies Entanglements in the Biotechnological Landscape) *
2021 Biodesign Challenge Summit, New York, NY (Visiting Critic/Panel Judge)
2020 MicrobeTV: This Week in Virology, Curator: Vincent Racaniello (Artist Lecture: Syndemic Sublime) *
2020 Telematic Media Arts, San Francisco, CA, Online Programming for The Archive to Come, Curators: Clark Buckner/Carla Gannis (Artist Talk: Pandemic Panorama: Molecular Meditations)
2020 Norwegian Bioart Arena (NOBA) Symposium: Viral Life, Moderated by Nora Vaage, Presented by Vitenparken Ås (Artist Talk/Panel: Unraveling: Material Artifacts & Poetic Subjectivities of the Biotechnological Landscape) *
2020 University of Connecticut Humanities Institute in collaboration with the Art & Art History Department (Artist Lecture: Shaded Areas of Uncertainty) *
2020 ecoartTECH, Curator: Patricia Lee Watts, Online (Artist Talk: TechnoMaterialities—Digitally Mediated Encounters with the Biological World)
2020 Virtual Venture Café at the uCity Science Center, Curator: Angela McQuillan, Online (Artist Lecture+Sound Performance by Frank Masciocchi: Disrupted Domains) *
2020 Coalesce Center for Biological Arts, Coalesce Dispersion Talks, Moderated by Paul Vanouse and Stephanie Rothenberg, Online (Artist Talk Series: Art & Science in a Global Pandemic) *
2020 SciArt Initiative, LunchBreak: In Conversation with Carrie Klein/Julia Buntaine Hoel (Artist Talk: Remote Entanglements) *
2020 University of Connecticut, School of Fine Arts, Prof. Barry Rosenberg’s, Graduate Seminar, Online (Artist Talk: Invisible Materialities) *
2020 Virtual Venture Café at the uCity Science Center, Curator: Angela McQuillan, Online (Artist Lecture: Precarious Structures) *
2020 Biodesign Challenge Summit, New York, NY (Visiting Critic/Panel Judge)
2019 Parsons School of Design, Laimah Osman’s Course: Printmaking: Alternative Process, New York, NY (Artist Talk)
2019 AS220, Digital Arts Fellowship Lecture Series, Providence, RI (Speaker/Panelist)
2019 Pennsylvania State University, John M. Anderson Endowed Lecture, State College, PA (Lecture/Graduate Studio Critiques)
2018 San Jose State University, LASER (Leonardo Art Science Evening Rendezvous) Art/Science Talks, Presented by the Digital Media Art Program at the CADRE Media Lab, San Jose, CA (Artist Talk)
2018 University of San Francisco, LASER (Leonardo Art Science Evening Rendezvous) Art/Science Talks, San Francisco, CA (Artist Talk)
2018 California College of Art, Oakland, CA (Artist Talk)
2018 School of the Art Institute of Chicago, Chicago, IL, Snow Yunxue Fu’s Seminar: Digitization (Online Artist Talk)
2018 Stanford University, Art & Art History Department, Palo Alto, CA, Camille Utterback’s Course: Drawing with Code (Artist Talk)
2018 Material Turn Symposium, Concordia University, Montréal, QC, CA, Moderated by Barbara Layne, (Speaker/Panelist—Undo/Redo: Material Expressions of Embodied Constructs)
2018 Science Center, Philadelphia, PA (Artist Talk)
2018 Creative Tech Week, New York, NY (Artist Talk: Fabricated Bodies: Materializing the Biotechnological Imagination)
2017 College Art Association Conference, New York, NY, Entangling Art & Biology: Bioart & Beyond, Moderated by Meredith Tromble (Speaker/Panelist)
2017 Textile Study Group of New York, New York, NY (Lecture)
2017 University of North Texas, Denton, TX, Digital Fabrication Symposium Presented by the College of Visual Arts & Design (Keynote Lecture: Bits & Pieces: Material Epistemologies & Digital Fabrication)
2017 LASER (Leonardo Art Science Evening Rendezvous), Curators: Ellen K. Levy & Patricia Olynyk, New York, NY (Artist Talk)
2017 Lyme Academy College of Fine Arts, University of New Haven, Old Lyme, CT (Lecture/Undergraduate Studio Critiques)
2017 NYU Langone Medical Center Art Gallery, New York, NY (Artist Talk: Manifest)
2016 University of Maine, IMRC/Dept. of New Media, Orono, ME (Lecture: Material Expressions)
2016 Creative Tech Week, New York, NY (Artist Talk: Fabricated Bodies: Materializing the Biotechnological Imagination)
2016 SubnetAIR, Center for Human-Computer Interaction, University of Salzburg, Austria (Artist Talk)
2016 New York Foundation for the Arts, New York, NY, Comrade Truebridge: Transdisciplinary Workgroup organized by Quintan Ana Wikswo, Sponsored by Creative Capital & New York Foundation for the Arts (Discussant)
2015 Pelham Art Center, Pelham, NY, TechNoBody, Moderated by Patricia Miranda (Panelist)
2015 Illinois State University, Normal, IL (Lecture/Graduate & Undergraduate Studio Critiques)
2015 University of North Carolina, Hanes Visiting Artist Lecture Series, Art & Art History Department, Chapel Hill, NC (Lecture/Graduate Studio Critiques)
2015 Digital Fabrication Speaker Series, Livestreamed Event (Lecture: Fabricated Bodies: Materializing the Biological Imagination)
2015 Austin Peay State University, Department of Art, Clarksville, TN (Lecture: (Re)Materializing the Biological Imagination)
2015 Maker Faire, New York Hall of Science Auditorium, Center Stage, New York, NY (Artist Talk: Decoding the Biological via Digital Media Art)
2014 New York Foundation for the Arts, New York, NY, Comrade Truebridge: Transdisciplinary Workgroup organized by Quintan Ana Wikswo, Sponsored by Creative Capital & New York Foundation for the Arts (Discussant)
2014 Dowling College, Visual Arts Department, Ceramics Studio, Oakdale, NY (Lecture: Distillations)
2013 Brooklyn Museum, Elizabeth A. Sackler Center for Feminist Art, Brooklyn, NY, Women Artists and the Body (Speaker/Panelist)
2013 Googleplex, Mountain View, CA, SciFoo, Organized by Digital Science, O’Reilly Media & Google with Support from Nature (Discussant)
2013 Science on Tap, Co-Hosted by The Mütter Museum, Philadelphia, PA (Lecture: Domesticated Viscera)
2013 SUNY Fredonia, NY (Studio Critiques/Lecture: Gone Viral: Medical Science and Contemporary Textile Art)
2012 Googleplex, Mountain View, CA, SciFoo, Organized by Digital Science, O’Reilly Media & Google with Support from Nature, Dancing With DNA, Painting With Blood: Scott Snibbe, Laura Splan, Drew Berry (Speaker/Discussant)
2012 New Mexico State University, Las Cruces, NM (Graduate Studio Critiques/Lecture: Material Thought)
2012 Humboldt State University, Arcata, CA (Lecture/Graduate Studio Critiques)
2011 Stanford University, Palo Alto, CA, Department of Anthropology, Professor Ewa Domanska’s course: Biohumanities: BioArt (Speaker/Discussant)
2011 San Francisco State University / Co-Presented by KQED, San Francisco, CA (Lecture/Graduate Studio Critiques)
2010 Museum for Art & Design, New York, NY, Dead or Alive: Intersections of Art & Science, Moderated by David Revere McFadden (Roundtable Discussant)
2009 Texas Woman’s University, Denton, TX (Studio Critiques/Lecture: Body Politic)
2009 Shakerag Workshops, Faculty Lecture Series, St. Andrew’s-Sewanee, Sewanee, TN (Lecture)
2009 Davidson College, Davidson, NC, Re/Formations (Panelist)
2008 Rhodes College, Lillian & Morrie Moss Foundation Lecture, Memphis, TN (Studio Critiques/Lecture: Reflexive)
2008 California College of Art, San Francisco, CA, Biology as Master Metaphor, Mara Holt Skov’s/Steven Skov Holt’s Seminar (Speaker/Discussant)
2007 California College of Art, Textiles Department, Oakland, CA (Lecture)
2007 Museum for Art & Design, New York, NY, Pricked: Extreme Embroidery (Panelist)
2007 New York Academy of Sciences, New York, NY, Rendering the Invisible, Biology and Art: Two Worlds or One? (Speaker/Panelist)
2006 Maryland Institute College of Art, Baltimore, MD (Lecture/Graduate Studio Critiques)
2005 Museum of Contemporary Art, Santa Rosa, CA, Carnal Knowledge (Panelist)
2005 California College of Art, San Francisco, CA, BioTechniques: Phil Ross’s Seminar (Speaker/Discussant)
2005 California Institute of the Arts, CSSSA, Art and Culture Lecture Series, Valencia, CA (Lecture)
2005 Richmond Art Center, Richmond, CA (Lecture: Domesticated Viscera)
2005 San Francisco Art Institute, San Francisco, CA (Lecture)
2005 Kala Art Institute, Fellowship Artist Lecture Series, Berkeley, CA (Lecture)
2005 University of California Santa Cruz, Santa Cruz, CA (Lecture)
2004 Exploratorium, Brown Bag Lecture Series, San Francisco, CA (Lecture)
2004 Stanford University, Art & Art History Department, Palo Alto, CA, Art & Biology, Professor Gail Wight’s Seminar (Speaker/Discussant)
2004 St. Mary’s College, Art Department, Moraga, CA (Lecture)
2003 SF Camerawork, San Francisco, CA (Artist Talk w/Philip Ross)
2002 California State University, Hayward, CA (Lecture)
2002 Ladyfest, Spring Tower, Los Angeles, CA, Feminist Art & Activism (Panelist)
2022 Hunter College, Integrated Media Arts Program, New York, NY (Spring Course: Data Bodies–Procedural Aesthetics and the Computational Imagination)
2018 Stanford University, Art & Art History Department, Palo Alto, CA (Fall Courses: Embodied Interfaces; Data as Material)
2016 University of Maine, Department of New Media, Orono, ME (4-Week Fall Seminar: Art & Biology)
2015 Illinois State University, College of Fine Arts, Normal, IL (3-Week Fall Seminar: Art & Biology)
2013 SUNY Purchase College, Department of Art & Design, Purchase, NY (Winter Course: Design for the Web)
2013 Marymount Manhattan College, Department of Art, New York, NY (Spring Course: Digital Imaging)
2011 Stanford University, Art & Art History Department, Palo Alto, CA (Spring Courses: Art & Biology; Digital Art)
2005 Mills College, Intermedia Arts Department, Oakland, CA (Spring Course: Electronic Arts)
2009 Northgate High School, Walnut Creek, CA (Senior Art Project Mentor)
2007-08 San Francisco Art Institute, School of Studio Practice, Low Residency MFA Program, San Francisco, CA (Instructor for Independent Study)
2005-04 California College of Art, Fine Arts Department, MFA Program, San Francisco, CA (Studio Practice Instructor)
2023 Genspace Community Bio Lab, Brooklyn, NY (Workshop—Sticky Settings: Molecular Worldbuilding in Blender with artist Laura Splan)
2022 Tang Teaching Museum, Saratoga Springs, NY (Workshop—Spinning Down: A Yarn Workshop with Laura Splan)
2021 Fredrickson Family Innovation Lab, in partnership with the Quick Center for the Arts, in collaboration with Dr. Daniel Fried (Workshop—Tickling the Bonds: Creative Engagement with Molecular Visualization Tools)
2021 Museum of Arts & Design, Presented by CAA ARTexchange, New York, NY (Workshop—Precarious Structures: Collaborative Unraveling & Weaving Project)
2020 Coalesce Center for Biological Arts, University at Buffalo, NY (Bioart Workshop—Transgressing Boundaries: Bacterial Transformation)
2019 AS220 Industries, Providence, RI, NEA Digital Arts Fellowship Workshops, Supported by National Endowment for the Arts
Reimagining Craft Through Code: Intro to Processing
Sensors and Interactive Circuits: Intro to Arduino
2012-13 3rd Ward, Brooklyn, NY (Digital Media Workshops for Imaging and Video)
2012 Morbid Anatomy Library’s Observatory, Brooklyn, NY (Workshop & Lecture: Dissection as Studio Practice)
2009 Shakerag Workshops, St. Andrew’s-Sewanee School, Sewanee, TN (Summer Studio Intensive—From Pixel to Print: Digital Imaging and Inkjet Printing)
2002 Center for Electronic Arts, San Francisco, CA (Web Design Workshops)
1996-2012 Bay Area Video Coalition, Education Department, San Francisco, CA (Staff Instructor for Digital Media Workshops, MediaLink, YouthLink, Private Tutorials)
1996–Present Plexus Projects, Online & Onsite (Studio Practice Consulting, Instruction & Advising)
2023 NEW INC XR Track, New Museum, New York, NY (Professional Practices Presenter & Discussant)
2022 NEW INC, New Museum, New York, NY (Cultural Incubator Mentor)
2023 University of North Carolina, Chapel Hill, NC, Lien Truong’s MFA Teaching Practicum (Professional Practices Workshop / Studio Visits with Graduate Students)
2021 Austin Peay State University, Department of Art + Design, Senior Thesis Projects, with Professor Evie Woltil Richner (Visiting Artist Q & A)
2021 The Crit Lab, New York, NY (Visiting Artist & Critic)
2021 Arts Council England, Advisor for DYCP Awardee (Private Studio Practice Advising)
2021 University of North Carolina, Chapel Hill, NC, Lien Truong’s MFA Teaching Practicum (Professional Practices Workshop / Studio Visits with Graduate Students)
2020 University of Connecticut, Art & Art History Department, Online (Studio Visits with Graduate Students)
2011 Stanford University, Palo Alto, CA, Department of Art & Art History, Professional Art Practices Graduate Seminar (Visiting Artist/Discussant)
2023 LUCA School of the Arts, Brussels, BE, Studio Visit & Artist Talk (Brooklyn Studio)
2021 Austin Peay State University, Department of Art + Design, Senior Thesis Projects, with Professor Evie Woltil Richner (Online Q & A)
2017 Alfred University, School of Art and Design, Interactive Media Studio with Professor Barbara Lattanzi (in Institute for Electronic Arts studio)
2016 University of Georgia, School of Art, Interim Semester Seminar with Professor Marni Shindelman’s Class (Brooklyn Studio)
2016 University of North Texas, Department of Studio Art, New Media Art with Professor Liss LaFleur’s Class (Brooklyn Studio)
2010 San Francisco State University, Art Department, Graduate Seminar with Professor Lewis deSoto’s Class (Brooklyn Studio)
2017–Present Plexus Projects, Brooklyn, NY, Artists: Mark Ramos, Ziyang Wu, Lee Tusman, Dakota Gearhart, Danielle Ezzo, others (Founder/Director: Studio Curatorial Projects including exhibitions and residencies)
2023 GUI/GOOEY, Group Exhibition, Plexus Projects, Brooklyn, NY, Artists: Elaine Whittaker, Mark Ramos, Ziyang Wu, others (Curator)
2018 ACRE Residency, Selection Committee for Summer Residency Program, Steuben, WI (Juror)
2018 Apparatus, Group Exhibition, Plexus Projects, Brooklyn, NY (Curator)
2018 Permeable Boundaries, Group Exhibition, Plexus Projects, Brooklyn, NY (Curator)
2018 Future Artifact 2, Creative Tech Week Digital Art Group Exhibition, Plexus Projects, Brooklyn, NY (Curator)
2016 Future Artifact, Creative Tech Week Digital Art Exhibition, Dose Projects, Brooklyn, NY, Artists: Sophie Barrett-Kahn, Julia Buntaine, Snow Yunxue Fu, Bang Geul Han, others (Curator)
2013 The Dose Makes the Poison, Dose Projects, Brooklyn, NY, Artists: Bert Bergen, Carolyn Monastra, Debra Ramsay, John Andrew, Kimberly Witham (Group Exhibition)
2013–17 Dose Projects: Artists+Causes, Brooklyn, NY, Artists: Karen Azoulay, Leah DeVun, Riitta Ikonen, Bill Durgin, Lien Truong, Amelia Bauer, others (Founder/Director: Studio Curatorial Projects including group and solo exhibitions)
2011 Byrdcliffe Artist-in-Residence Program, Woodstock, NY (Juror)
2001 Residual Images, Studio Z Gallery, San Francisco, CA, Co-Curator w/Karen Kirchhoff, Artists: Megan Cump, Jennifer Fiore, Heather Johnson, Steven Barich, Reuben Lorch-Miller, others (Curator)
1997 Stimulus Transmit: Independent Media Art, City Visions Public Access TV, San Francisco, CA, Artists: Tamiko Thiel, Vicky Funari, Lenn Keller, Shanna Maurizi, others (Co-Curator w/Jeannie Finley)
1993-1996 Beehive, Art and Poetry Zines, (Co-Curator w/Allyson Shaw)
